A Performance Guide to the Multi-Movement Guitar Sonatas of Fernando Sor e Giuliani PDF

Preview

Summary

Descrizione delle sonate di Sor, op. 22 e 25 e di Mauro Giuliani, op.15 con confronto...

Description

Please do not remove this page

A Performance Guide to the Multi-Movement Guitar Sonatas of Fernando Sor and Mauro Giuliani Bampenyou, Rattanai https://scholarship.miami.edu/discovery/delivery/01UOML_INST:ResearchRepository/12355286870002976?l#13355481050002976

Bampenyou, R. (2012). A Performance Guide to the Multi-Movement Guitar Sonatas of Fernando Sor and Mauro Giuliani [University of Miami]. https://scholarship.miami.edu/discovery/fulldisplay/alma991031447102902976/01UOML_INST:ResearchR epository

Open Downloaded On 2021/09/20 11:57:42 -0400 Please do not remove this page

UNIVERSITY OF MIAMI

A PERFORMANCE GUIDE TO THE MULTI-MOVEMENT GUITAR SONATAS OF FERNANDO SOR AND MAURO GUILIANI

By Rattanai Bampenyou

A DOCTORAL ESSAY

Submitted to the Faculty of the University of Miami in partial fulfillment of the requirements for the degree of Doctor of Musical Arts

Coral Gables, Florida December 2012

©2012 Rattanai Bampenyou All Rights Reserved

UNIVERSITY OF MIAMI

A doctoral essay submitted in partial fulfillment of the requirements for the degree of Doctor of Musical Arts

A PERFORMANCE GUIDE TO THE MULTIMOVEMENT GUITAR SONATAS OF FERNANDO SOR AND MAURO GUILIANI

Rattanai Bampenyou

Approved:

_________________________ Rene Gonzalez, D.M.A. Associate Professor of Instrumental Performance

________________________ M. Brian Blake, Ph.D. Dean of the Graduate School

_________________________ Charles Mason, D.M.A. Associate Professor of Music Theory and Composition

________________________ Rafael Padron, M.M. Lecturer of Classical Guitar

_________________________ Pamela A. McConnell, M.M. Professor of Viola

RATTANAI BAMPENYOU (D.M.A., Instrumental Performance) A Performance Guide to The Multi-Movement (December 2012) Guitar Sonatas of Fernando Sor and Mauro Giuliani

Abstract of a doctoral essay at the University of Miami. Doctoral essay supervised by Dr. Rene Gonzalez. No. of pages in text. (201)

The purpose of this study is to thoroughly analyze and to create a performance guide of the multi-movement guitar sonatas by Fernando Sor and Mauro Giulian. The works include Sonatas, Opp. 22 and 25 by Sor, and Sonata, Op. 15 by Giuliani. Although the composers are well known to the guitar community, the number of detailed studies of these works is still limited. The present essay is a result of the desire to study them. It contains a short history of the origin of the six-string guitar, the biographies of Sor and Giuliani, and also a brief review of selected writings on sonata form that will help the reader understand the musical form better. The main portion of this study consists of detailed analyses and a performance guide to the sonatas. Theoretical, technical, and stylistic issues are addressed in depth.

ACKNOWLEDGEMENTS I would like to express great thank to the Thai government and the citizens of Thailand for the enormous financial support during the course of my study. My deep gratitude also goes to my parents, Lt. Gen. Ronnachai and Saowanee Bampenyou, for their support, inspiration and encouragement.

iii

TABLE OF CONTENTS

Page LIST OF MUSICAL EXAMPLES. .............................................................................

vi

LIST OF TABLES .......................................................................................................

xii

Chapter 1 INTRODUCTION... ........................................................................................ 1 The Guitar in the Early Nineteenth Century and Sonata Form ……………… 1 Fernando Sor…………………………………………………………………. 5 Mauro Giuliani…………………………..……………………………………. 6 Justification of the Study …..…………………..…….………………………. 8 Purpose of the Study.....………………………..…….………………………. 9 Organization of the Study.....…………………..…….………………………. 9 2 REVIEW OF LITERATURE .......................................................................... Sonata Form ..................................................................................................... The Multi-movement Guitar Sonatas of Sor and Giuliani ...............................

10 10 29

3 METHOD ........................................................................................................ Data Gathering Procedure ................................................................................ Analyses ........................................................................................................... Performance Guide .......................................................................................... Organization of the Study ................................................................................

35 35 36 37 37

4 THE EMERGENCE OF THE SIX-STRING GUITAR AND BIOGRAPHIES OF FERNANDO SOR AND MAURO GUILIANI ....................................... Emergence of the Six-string Guitar ................................................................. Fernando Sor .................................................................................................... Mauro Giuliani .................................................................................................

38 38 45 52

5 ANALYSES ..................................................................................................... 62 Sor's Sonata in C, Op. 22 ................................................................................. 62 Sor's Sonata in C, Op. 25 ................................................................................. 93 Giuliani's Sonata in C, Op. 15.......................................................................... 121 The Comparison of Sor and Giuliani's Sonata Style in Their Multi-movement Sonatas ............................................................................................................. 150

iv

Chapter 6 PERFORMANCE GUIDE .............................................................................. Sor's Sonata in C, Op. 22 ................................................................................. Sor's Sonata in C, Op. 25 ................................................................................. Giuliani's Sonata in C, Op. 15..........................................................................

162 162 184 190

7 FINAL REMARKS ......................................................................................... 198

BIBLIOGRAPHY…………........ ................................................................................ 199

v

LIST OF MUSICAL EXAMPLES Example

Page

2.1. Fernando Sor, Grand Solo, op. 14, mm. 123-134.............................................

31

4.1. Spanish tuning used by Gaspar Sanz in the seventeenth century……….........

39

4.2. Italian tablature…………………………………………………….........……

43

5.1. Fernando Sor, Sonata in C, Op. 22, mvt. 1, mm. 1-8.......................................

63

5.2. Fernando Sor, Sonata in C, Op. 22, mvt. 1, mm. 9-20.....................................

64

5.3. Fernando Sor, Sonata in C, Op. 22, mvt. 1, mm. 31-41...................................

65

5.4. Fernando Sor, Sonata in C, Op. 22, mvt. 1, mm. 42-45...................................

65

5.5. Fernando Sor, Sonata in C, Op. 22, mvt. 1, mm. 57-69...................................

66

5.6. Fernando Sor, Sonata in C, Op. 22, mvt. 1, mm. 84-95...................................

67

5.7. Fernando Sor, Sonata in C, Op. 22, mvt. 1, mm. 93-101.................................

68

5.8. Fernando Sor, Sonata in C, Op. 22, mvt. 1, mm. 102-103...............................

68

5.9. Fernando Sor, Sonata in C, Op. 22, mvt. 1, mm. 96-98...................................

69

5.10. Fernando Sor, Sonata in C, Op. 22, mvt. 1, mm. 102-103.............................

69

5.11. Fernando Sor, Sonata in C, Op. 22, mvt. 1, mm. 110.....................................

69

5.12. Fernando Sor, Sonata in C, Op. 22, mvt. 1, mm. 160-166.............................

70

5.13. Fernando Sor, Sonata in C, Op. 22, mvt. 1, mm. 177-188.............................

71

5.14. Fernando Sor, Sonata in C, Op. 22, mvt. 2, mm. 1-16...................................

77

5.15. Fernando Sor, Sonata in C, Op. 22, mvt. 2, mm. 17-25.................................

77

5.16. Fernando Sor, Sonata in C, Op. 22, mvt. 2, mm. 26-38.................................

78

5.17. Fernando Sor, Sonata in C, Op. 22, mvt. 2, mm. 42-51.................................

79

5.18. Fernando Sor, Sonata in C, Op. 22, mvt. 2, mm. 56-68.................................

80

vi

5.19. Fernando Sor, Sonata in C, Op. 22, mvt. 2, mm. 68-83.................................

81

5.20. Fernando Sor, Sonata in C, Op. 22, mvt. 2, mm. 87-92.................................

82

5.21. Fernando Sor, Sonata in C, Op. 22, mvt. 3, mm. 1-4.....................................

83

5.22. Fernando Sor, Sonata in C, Op. 22, mvt. 3, mm. 9-18...................................

84

5.23. Fernando Sor, Sonata in C, Op. 22, mvt. 3, mm. 19-33.................................

84

5.24. Fernando Sor, Sonata in C, Op, 22, mvt. 1, mm. 41-43; mvt. 3, mm. 24-26...........................................................................................

85

5.25. Fernando Sor, Sonata in C, Op. 22, mvt. 3, mm. 40-47.................................

85

5.26. Fernando Sor, Sonata in C, Op. 22, mvt. 3, mm. 48-55. ................................ 86 5.27. Fernando Sor, Sonata in C, Op. 22, mvt. 4, mm. 1-16...................................

88

5.28. Fernando Sor, Sonata in C, Op. 22, mvt. 4, mm. 17-38.................................

88

5.29. Fernando Sor, Sonata in C, Op. 22, mvt. 4, mm. 40-63.................................

89

5.30. Fernando Sor, Sonata in C, Op. 22, mvt. 4, 80-85.........................................

90

5.31. Fernando Sor, Sonata in C, Op. 22, mvt. 4, mm. 96-116...............................

90

5.32. Fernando Sor, Sonata in C, Op. 22, mvt. 4, mm. 133-140.............................

91

5.33. Fernando Sor, Sonata in C, Op. 22, mvt. 4, mm. 159-185.............................

92

5. 34. Fernando Sor, Sonata in C, Op. 25, mvt. 1, mm. 1-17..................................

95

5. 35. Fernando Sor, Sonata in C, Op. 25, mvt. 1, mm. 15-30................................

97

5.36. Fernando Sor, Sonata in C, Op. 25, mvt. 1, mm. 36-48.................................

98

5.37. Fernando Sor, Sonata in C, Op. 25, mvt. 1, mm. 52-58.................................

99

5.38. Fernando Sor, Sonata in C, Op. 25, mvt. 1, mm. 59 - 67...............................

99

5.39. Fernando Sor, Sonata in C, Op. 25, mvt. 1, mm. 71-79...............................

100

5.40. Fernando Sor, Sonata in C, Op. 25, mvt. 1, mm. 89-103.............................

101

5.41. Fernando Sor, Sonata in C, Op. 25, mvt. 1, mm. 109-116...........................

103

vii

5.42. Fernando Sor, Sonata in C, Op. 25, mvt. 2, mm. 1-22.................................

105

5.43. Fernando Sor, Sonata in C, Op. 25, mvt. 2, mm. 23-52...............................

106

5.44. Fernando Sor, Sonata in C, Op. 25, mvt. 2, mm. 73-80...............................

107

5.45. Fernando Sor, Sonata in C, Op. 25, mvt. 2, mm. 97-116.............................

109

5.46. Fernando Sor, Sonata in C, Op. 25, mvt. 2, mm. 115-134...........................

110

5.47. Fernando Sor, Sonata in C, Op. 25, mvt. 2, mm. 135-146...........................

111

5.48. Fernando Sor, Sonata in C, Op. 25, mvt. 2, mm. 61-68...............................

111

5.49. Fernando Sor, Sonata in C, Op. 25, mvt. 2, mm. 143-150...........................

111

5.50. Fernando Sor, Sonata in C, Op. 25, mvt. 2, mm. 159-169...........................

112

5.51. Fernando Sor, Sonata in C, Op. 25, mvt. 2, mm. 174-185...........................

113

5.52. Fernando Sor, Sonata in C, Op. 25, mvt. 2, mm. 256-278...........................

115

5.53. Fernando Sor, Sonata in C, Op. 25, mvt. 3, mm. 1-16.................................

116

5.54. Fernando Sor, Sonata in C, Op. 25, mvt. 3, mm. 1-6...................................

116

5.55. Fernando Sor, Sonata in C, Op. 25, mvt. 3, fragmentations from variations 1-5...............................................................................................

117

5.56. Fernando Sor, Sonata in C, Op. 25, mvt. 4, mm. 1-40.................................

119

5.57. Fernando Sor, Sonata in C, Op. 25, mvt. 4, mm. 41-64...............................

120

5.58. Mauro Giuliani, Sonata in C, Op. 15, mvt. 1, mm. 1-19..............................

123

5.59. Mauro Giuliani, Sonata in C, Op. 15, mvt. 1, mm. 20-35............................

124

5.60. Mauro Giuliani, Sonata in C, Op. 15, mvt. 1, mm. 32-51............................

125

5.61. Mauro Giuliani, Sonata in C, Op. 15, mvt. 1, mm. 51-68............................

126

5.62. Mauro Giuliani, Sonata in C, Op. 15, mvt. 1, mm. 65-84............................

128

5.63. Mauro Giuliani, Sonata in C, Op. 15, mvt. 1, mm. 85-96............................

129

5.64. Mauro Giuliani, Sonata in C, Op. 15, mvt. 1, mm. 93-109..........................

130

viii

5.65. Mauro Giuliani, Sonata in C, Op. 15, mvt. 1, mm. 122-135........................

131

5.66. Mauro Giuliani, Sonata in C, Op. 15, mvt. 1, mm. 140-155........................

132

5.67. Mauro Giuliani, Sonata in C, Op. 15, mvt. 1, mm. 174-177........................

132

5.68. Mauro Giuliani, Sonata in C, Op. 15, mvt. 1, mm. 178-191........................

133

5.69. Mauro Giuliani, Sonata in C, Op. 15, mvt. 1, mm. 200-204........................

134

5.70. Mauro Giuliani, Sonata in C, Op. 15, mvt. 2, mm. 1-26..............................

136

5.71. Mauro Giuliani, Sonata in C, Op. 15, mvt. 2, mm. 27-43............................

138

5.72. Mauro Giuliani, Sonata in C, Op. 25, mvt. 2, mm. 69-84............................

139

5.73. Mauro Giuliani, Sonata in C, Op. 15, mvt. 3, mm. 1- 16.............................

142

5.74. Mauro Giuliani, Sonata in C, Op. 15, mvt. 3, mm. 17-36............................

143

5.75. Mauro Giuliani, Sonata in C, Op. 15, mvt. 3, mm. 63-78............................

144

5.76. Mauro Giuliani, Sonata in C, Op. 15, mvt. 3, mm. 88-107..........................

145

5.77. Mauro Giuliani, Sonata in C, Op. 15, mvt. 3, mm. 116-124........................

146

5.78. Mauro Giuliani, Sonata in C, Op. 15, mvt. 3, mm. 125-142........................

147

5.79. Mauro Giuliani, Sonata in C, Op. 15, mvt. 3, mm. 143-154........................

148

5.80. Mauro Giuliani, Sonata in C, Op. 15, mvt. 3, mm. 161-173........................

149

5.81. Mauro Giuliani, Sonata in C, Op. 15, mvt. 3, mm. 228-259........................

149

5.82. Fernando Sor, Sonata in C, Op. 22, mvt. 1, mm. 1-2...................................

151

5.83. Mauro Giuliani, Sonata in C, Op. 15, mvt. 1, mm. 1-2................................

151

5.84. Mauro Giuliani, Sonata in C, Op. 15, mvt. 1, mm. 12-19............................

152

5.85. Fernando Sor, Sonata in C, Op. 22, mvt. 1, mm. 84-92...............................

153

5.86. Mauro Giuliani, Sonata in C, Op. 15, mvt. 1, mm. 63-68............................

154

5.87. Mauro Giuliani, Sonata in C, Op. 15, mvt. 1, mm. 81-88............................

155

ix

5.88. Fernando Sor, Sonata in C, Op. 22, mvt. 2, mm. 61-68...............................

156

5.89. Fernando Sor, Sonata in C, Op. 25, mvt. 2, mm. 163-169...........................

157

5.90. Mauro Giuliani, Sonata in C, Op. 15, mvt. 1, mm. 85-96............................

158

5.91. Fernando Sor, Sonata in C, Op. 22, mvt. 1, mm. 177-184...........................

160

6.1. Fernando Sor, Sonata in C, Op. 22, mvt. 1, mm. 31-37.................................

163

6.2. Fernando Sor, Sonata in C, Op. 22, mvt. 1, mm. 42-45.................................

164

6.3. Fernando Sor, Sonata in C, Op. 22, mvt. 1, mm. 88-95.................................

167

6.4. Fernando Sor, Sonata in C, Op. 22, mvt. 1, mm. 98-101...............................

168

6.5. Fernando Sor, Sonata in C, Op. 22, mvt. 1, mm. 114-122.............................

169

6.6. Fernando Sor, Sonata in C, Op. 22, mvt. 2, mm. 1-8.....................................

170

6.7. Fernando Sor, Sonata in C, Op. 22, mvt. 2, mm. 23-26.................................

171

6.8. Fernando Sor, Sonata in C, Op. 22, mvt. 2, mm. 25, Turn execution 1.............................................................................................

172

6.9. Fernando Sor, Sonata in C, Op. 22, mvt. 2, mm. 25, Turn execution 2.............................................................................................

172

6.10. Fernando Sor, Sonata in C, Op. 22, mvt. 2, mm. 43, Glise's fingering...........................................................................................

173

6.11. Fernando Sor, Sonata in C, Op. 22, mvt. 2, mm. 43, Before-beat turn...........................................................................................

173

6.12. Fernando Sor, Sonata in C, Op. 22, mvt. 2, mm. 45, Upper-note start...........................................................................................

175

6.13. Fernando Sor, Sonata in C, Op. 22, mvt. 2, mm. 45, Main-note start.............................................................................................

176