Learning Guide Unit 4 PDF

Title Learning Guide Unit 4
Course Art history
Institution University of the People
Pages 12
File Size 161.8 KB
File Type PDF
Total Downloads 71
Total Views 146

Summary

Learning Guide...


Description

Learning Guide Unit 4 Site:

University of the People

Printed by:

Massimiliano Giusfredi

Course:

AHIST 1401 Art History - AY2022-T2

Date:

Tuesday, 7 December 2021, 8:41 PM

Book:

Learning Guide Unit 4

Description Learning Guide Unit 4

Table of contents Overview Introduction Reading Assignment Discussion Forum Written Assignment Learning Journal Checklist

Overview Unit 4: Revival and Rebirth in Europe: The Renaissance, Baroque and Rococo

Topics: The revival of Classical styles in the Italian Renaissance. New artistic styles and techniques in Northern Europe. The impact of scientific and humanistic thinking on European art. The impact of the Reformation and Counter Reformation on European art and its patrons. The return of the aristocracy in France.

Learning Outcomes: Students will be able to identify the major impacts of religious, political and scientific developments on the arts in Europe between 1400 and 1700. Describe the continuing influence of the Classical tradition on art. Identify key stylistic characteristics of Renaissance, Baroque and Rococo art.

Tasks: Read the Learning Guide and Reading Assignments Participate in the Discussion Forum Post your response, comment on and rate at least three of your classmates’ responses Complete and submit Unit 4 Assignment Make entries to the Learning Journal, including any required tasks Take the Self Quiz All above tasks must be completed by the end of learning week 4.

Introduction The 1400s-1700s in Europe were a time of relative political stability and prosperity. Major upheaval, however, did occur in the Church with the Protestant Reformation and Catholic Counter Reformation. Art, as always, served as a window to society. As a result there was a wide range of subjects and styles practiced by artists to meet the growing demands of new patrons both religious and secular.

Reading Assignment Introduction to the Renaissance Renaissance art[Video]. (n.d.). Khan Academy.https://www.khanacademy.org/humanities/approaches-to-art-history/verybeginner/renaissance-to-modern-art/v/renaissance-art-introduction Watch the video: Renaissance Art.

1400-1600: The Renaissance in Italy Harris, B. and Zucker, S. (n.d.).Florence in the Early Renaissance. Khan Academy.https://www.khanacademy.org/humanities/renaissance-reformation/early-renaissance1/beginners-renaissanceflorence/a/florence-in-the-early-renaissance Read the article: Florence in the Early Renaissance  How to recognize Italian Renaissance art[Video]. (n.d.). Khan Academy.https://www.khanacademy.org/humanities/renaissancereformation/early-renaissance1/beginners-renaissance-florence/v/recognize-renaissance-art Watch the video: How to recognize Italian Renaissance art  Harris, B. and Zucker, S. (n.d.). Toward the High Renaissance, an introduction.Khan Academy.https://www.khanacademy.org/humanities/renaissance-reformation/high-ren-florence-rome/beginners-guide-highren/a/toward-the-high-renaissance-an-introduction Read the article: Toward the High Renaissance, an introduction

1400-1600: The Northern Renaissance and the Reformation Noble, B. J. (n.d.).The Northern Renaissance in the fifteenth century.Khan Academy.https://www.khanacademy.org/humanities/renaissance-reformation/northern-renaissance1/beginners-guide-northernrenaissance/a/an-introduction-to-the-northern-renaissance-in-the-fifteenth-century Read the article: An introduction to the Northern Renaissance in the fifteenthcentury  Noble, B. J. (n.d.).An introduction to the Northern Renaissance in the sixteenth century.Khan Academy.https://www.khanacademy.org/humanities/renaissance-reformation/northern/northern-ren-16c/a/an-introduction-to-thenorthern-renaissance-in-the-sixteenth-century Read the article: An introduction to the Northern Renaissance in the sixteenth century.

Dürer, Self-portrait (1500)[Video]. (n.d.). Khan Academy.https://www.khanacademy.org/humanities/renaissancereformation/northern/durer/v/albrecht-d-rer-self-portrait-1500 Watch the video: Dürer, Self-portrait 

Introduction to Baroque and Rococo Baroque and Rococo[Video]. (n.d.). Khan Academy.https://www.khanacademy.org/humanities/approaches-to-art-history/verybeginner/renaissance-to-modern-art/v/baroque-rococo-introduction Watch the video: Baroque and Rococo  1600-1700: The Baroque in Italy and the North Esperança, C. (n.d.).Baroque Art in Europe, an introduction. Khan Academy.https://www.khanacademy.org/humanities/renaissancereformation/baroque-art1/beginners-guide-baroque1/a/baroque-art-in-europe-an-introduction Read the article: Baroque Art in Europe, an introduction.  Benay, Erin. (n.d.). Khan Academy.Caravaggio and Caravaggisti in 17th-Century Europe. Khan Academy.https://www.khanacademy.org/humanities/renaissance-reformation/baroque-art1/baroque-italy/a/caravaggio-andcaravaggisti-in-17th-century-europe Read the article: Caravaggio and Caravaggisti in 17th-Century Europe  Gentileschi, Judith and Holofernes[Video]. (n.d.). Khan Academy.https://www.khanacademy.org/humanities/renaissancereformation/baroque-art1/baroque-italy/v/gentileschi-judith Watch the video: Gentileschi, Judith and Holofernes  Rembrandt, The Anatomy Lesson of Dr. Tulp[Video]. (n.d.). Khan Academy.https://www.khanacademy.org/humanities/renaissancereformation/baroque-art1/holland/v/rembrandt-tulp Watch the video: Rembrandt, The Anatomy Lesson of Dr. Tulp  1700s: The Rococo  Harris, B. and Zucker, S. (n.d.).A beginner’s guide to Rococo art.Khan Academy.https://www.khanacademy.org/humanities/renaissance-reformation/rococo-neoclassicism/rococo/a/a-beginners-guide-torococo-art Read the article: A beginner’s guide to Rococo art  Mida, Ingrid E. (n.d.).Vigée Le Brun, Self-Portrait with her Daughter.Khan Academy.https://www.khanacademy.org/humanities/renaissance-reformation/rococo-neoclassicism/rococo/a/vigee-le-brun-selfportrait-with-her-daughter Read the article: Vigée Le Brun, Self-Portrait with her Daughter.  Optional Resources

How one-point linear perspective works[Video]. (n.d.). Khan Academy.https://www.khanacademy.org/humanities/ap-art-history/starthere-apah/language-of-art-history-apah/v/how-one-point-linear-perspective-works Watch the video: How one-point linear perspective works  How to recognize Baroque art[Video]. (n.d.). Khan Academy.https://www.khanacademy.org/humanities/renaissancereformation/baroque-art1/beginners-guide-baroque1/v/how-to-recognize-baroque-art Watch the video: How to recognize Baroque art  Unlocking an 18th-century French mechanical table[Video]. (n.d.). Khan Academy.https://www.khanacademy.org/humanities/renaissance-reformation/rococo-neoclassicism/rococo/v/unlocking-18th-cfrench-mechanical-table Watch the video: Unlocking an 18th-century French mechanical table  

Discussion Forum Beginning with the Renaissance the Church is no longer the only primary patron of the arts. Private families, governments and other secular (non-religious) groups begin to hire artists with greater frequency. What effect do you think this new diversity in patrons had on the arts in the 15th-18th centuries? Include some specific examples of works commissioned by these new patrons.

Written Assignment In an essay, discuss the shift in the role of the artist, from unknown artisans or craftsmen to public figures and a creative “geniuses,” during this time. Specifically refer to at least one work of art from each of the three major stylistic periods from this unit (Renaissance, Baroque, and Rococo), and explain how the work reflects the newly powerful role of the artist who produced it. Your essay should be a minimum of 500 words. Essays should be well-written and organized and contain an introduction and conclusion. Please proofread your work for spelling, syntax and grammatical errors. All sources used must be properly cited in a works cited list.

Learning Journal The Learning Journal is a tool for self-reflection on the learning process. In addition to completing directed tasks, you should use the Learning Journal to document your activities, record problems you may have encountered and to draft answers for Discussion Forums and Assignments. The Learning Journal should be updated regularly (on a weekly basis), as the learning journals will be assessed as part of your Final Grade. Making reference to resources listed in the Reading Assignments throughout the course, please address the following. How has the Classical tradition (the art of Greece and Rome) continued to affect art through the Renaissance, Baroque, and Rococo periods? In what ways have artists working during these periods turned away from the Classical tradition?

Checklist Read the Learning Guide and Reading Assignments.

Participate in the Discussion Forum Post your response, comment on and rate at least three of your classmates’ responses.

Complete and Submit Unit 4 Assignment

Make entries to the Learning Journal, including any required tasks

Take the Self Quiz

All above tasks must be completed by the end of learning week 4....


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