Title | Theory, Literature and Society Lecture Notes- Epiphany Term |
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Author | Afope Ojomo |
Course | Theory, Literature and Society |
Institution | Durham University |
Pages | 32 |
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Dr Sylvie Gambaudo...
Rachelle Ojomo Durham University
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Theory, Literature and Society Lecture Notes- Epiphany Term
Lecture 1: We Need to Talk About Kevin
Introduction Situating the novel:
It deals with several key issues such as: parenthood, in particular “motherhood”, good vs. evil, nature vs. nurture, uses contemporary concerns over teenage violence (high school killing sprees in the US)
Same year WNTAK was published, in 2003, Gus Van Sant’s Elephant (a film with similar themes) won the Cannes Palme d’or and Prize for Best Director
Won the British Orange Prize in June 2005
In 2008, BBC Radio4 serialised the novel into 10 episodes on ‘Woman’s hour’: link with feminist concerns
Became a feature film in 2011
Premiered in 2011 Cannes film festival – well received by film critics
Focus is on psychoanalytic readings of the novel and some feminist issues
WNTAK= tale of a failed Oedipus?
Oedipal triangle easily found in We Need to Talk about Kevin
SUPERFICIAL LEVEL – Kevin kills his father to ‘marry’ his mother, be the only man in her life?
This does not get us very far in a critical reading of Kevin
We must extract from the narrative story of a protagonist caught between his/her desire for the maternal and his/her fight to suppress the paternal – modern reading of Oedipal conflicts in We need to talk about Kevin, rather than a more dogmatic Freudian reading.
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Themes such as castration, repression, return of repressed contents, narrative as symptom
In more modern understanding of Oedipus, father may be the actual flesh and blood father, but more importantly the paternal refers to a function!
Father- can be any instance of authority, which frustrates the individual in their desire to remain on the side of the maternal.
The maternal – can be the mother but more importantly, it is an instance of what the mother is associated with: instinct, survival, nurture, animalistic, biological, bodily, etc.
Character of Kevin
Mission to destroy some instances of authority that he sees as inauthentic or as he puts it ‘dumb’: the school, his father and everything that gives his mother symbolic status and authority: her work, finances, her daughter and her son
Kevin’s destructive spree stops when he has reduced all these, and especially his mother’s authority to nothing
Eva can be constructed as an authority figure – the phallic in Freudian terms
Eva identifies with authority not the feminine
Kevin seeks to destroy Eva’s phallicism, to reduce her to something maternal i.e. her biological function
Kevin seeks to symbolically castrate Eva, so she becomes more like the mother he wants.
Beyond a first degree reading, we can argue that WNTAK is about a male child’s attempt at retaining the maternal for himself and his fight to destroy what stands between him and the maternal.
Resolution of an individual’s Oedipal conflict gone wrong, because child does the castration, not the father!
Failed Oedipality at the level of the parents- neither parent is successful in convincing Kevin to take membership in his society
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Reason being- Franklin and Eva seem to construct Kevin as the son they want him to be rather than what he might actually be
Further reading on child as narcissist extension of the parent
How do Franklin and Eva see Kevin?
Franklin: Kevin is one element of the American formula for happiness
For Franklin, Kevin represents the end product of a life well lived
Having a child = successful and rewarding experience, part of his journey in achieving the American dream
Utter belief in the good of the American way of life never weakens his death
Franklin is portrayed by Eva as the caricature of the good American who believes and defends puritanical ethics: pragmatic, hard-working, honest, respectful, a good citizen
Happy Days discourse – believes he will be rewarded with happiness
In order to be validated by this discourse, Franklin needs to smooth out what threatens his carefully constructed self.
He ‘rounds up’ – refuses to believe Eva because narrative clashes with his representation of the world
His denial of Kevin’s evilness is the refusal to let go of his vision of the American dream
Eva: Kevin is her new frontier
At beginning of story, Eva is battling with herself over what she might do with her life
She has achieved a lot – successful businesswoman, managing director of her own company, nice husband, more money than she needs etc.
Yet dissatisfied character
She is looking to ‘turn the page’ – move on to the next adventure, discover territories that she has not yet chartered
Kevin represents her new frontier
In this sense, Kevin is also, for Eva, a part of a very American type of fantasy
Eva: Kevin becomes the frontier of patriarchal discourse
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Eva searches for the new, un-chartered, the space not yet officialised by mainstream discourse
Eva has an infatuation in finding new territories well before Kevin even becomes a possibility
Before Kevin, her need for territorialising was satisfied in finding new geographical spaces
With idea of Kevin growing, her sense of ambivalence also grows
On one hand, curious at prospect of new adventure
On the other hand, reluctant to visit the territory of motherhood: ‘the one foreign county into which [she has] been most reluctant to set foot.’ (379)
Her ambivalence can be understood in two ways: 1. In order to become a mother, she has to give up on symbolic protection her status afforded her
Her success as a businesswomen rested on criteria defined by patriarchal society: society where her sex was disregarded
Motherhood – confines her to boundaries of her biological sex
First, she wants to believe what patriarchal construct of motherhood tells her
Adventure as mother begins with stereotyped view of motherhood
Like many mothers, she is surrounded by cultural propaganda that tells her that motherhood is the most meaningful experience a woman can have, that child = fulfilment
She is expecting to ‘turn the page’ and experience motherhood as something exciting
Instead, she experienced pregnancy as an invasion of her body, robs her of herself
She now belongs to the child and the society child is destined for
Purpose in life = Kevin’s fulfilment
She feels cheated by establishment: she has given up on her symbolic status, but did not get the reward promised.
2. While Eva was the one marking her territory, she was satisfied. As soon as she becomes territory, she resents her condition
While Eva identifies with a masculine position (active, territorializing), she feels rewarded
When she seeks identification with a feminine position (passive, territorialized), she feels disempowered and unhappy
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WTNAK – can be read as a narrative of feminist struggle
How can one do the ‘feminine’ (giving birth) without losing intelligibility, social reward, empowerment??
How can Eva maintain her social status while being a mother?
Social empowerment and motherhood seem to be incompatible
Kevin become the frontier, the limit of a discourse that obliterates Eva in favour of the child
Mother-narrative = one of sacrifice
She makes and offers her child to social organisation – but without the child (without the penis or phallus, she is nothing)
Kevin also describes the journey of dispossession or castration that mother goes through to become intelligible/understood as a mother
Single woman and mother – completely different roles
Disappointing for feminism??
Other Freudian themes in We Need To Talk about Kevin
Freudian theory to be used in explaining how Eva constructs Kevin as evil
Kevin uses suppression and release as a mode of exchange with his surrounding very early on
Kevin’s mode of exchange is reversed compared with that described by Freud
In Freud, sexual object held and released in manner acceptable to society e.g. potty training
Satisfaction one gains when rewarded for ‘good’ mastery of sexual object = enough to accept losing one’s naturalness/impulses
Kevin’s character does not fit this mould- gains no pleasure in mastering instinct
Kevin implies this pleasure is alien to him (it’s dumb, physically he has no muscular control)
On the contrary, he gains pleasure from enactment of antisocial behaviour
Kevin suppresses the object when release would reward him in social exchange (e.g. when he refuses to speak to his mother because it would reward her effort at teaching him his mother tongue)
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He releases the object when suppression would reward him in social exchange (he wets himself when he is old enough to be potty trained; he screams all day long etc.)
Kevin also encourages others to do the same – girl with eczema scratches when she shouldn’t; Eva loses control and breaks Kevin’s harm much to his pleasure
Eva constructs him as having no remorse for any suffering he causes = psychopath
However, his behaviour at end of novel contradict this so Kevin’s actions can’t be explained through theory that he presents a psychopathic structure
On contrary, Kevin does learn social behaviour but only as a means to his own sado-masochism
Kevin fishes out those areas in the other where socialisation is too forced: his mum’s attempt at good motherhood
He forces the fakeness of socialisation to come to light – his mother has to admit that she hates him; Catholic nanny questions her morality
Kevin – something of a Meursault – as an outsider, he is demonised by his peers for exposing the hypocrisy of social organisation
Unlike Meursault, Kevin’s mission in life: to expose the fallacy of that social organisation
Kevin is the recipient of projective identification
Projection refers to: ‘an operation whereby qualities, feelings, wishes, or even ‘objects’, which the subject refuses to recognise or rejects in himself, are expelled from the self and located in another person or thing. (Laplanche & Pontalis, 1988:349)
E.g. in paranoia, individual places ill intentions in another person that the individual has had himself or herself
Freud- subject-matter, what persecutes the person, remains unchanged but its location is modified
You persecute me instead of I persecute me.
Phobia – displacement of fear from internal (instinct) to external (phobic object) in order to control it
Uncontrollable fear of dark, hairy spiders is really fear of my own instinctual impulses, which the spider comes to represent
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Statement: ‘If I can control instinct, my ego will be safe’ becomes ‘If I can control the spider, my ego will be safe’.
Melanie Klein – projective identification:
‘A mechanism revealed in phantasies in which the subject inserts his self- in whole or in part into the object in order to harm possess or control it.’ (Laplanche & Pontalis)
Projective identification = mode of signification whereby what I do not like in myself, I unconsciously throw out of me and onto another
Traits one doesn’t like in one’s self are thrown unto another person
What I do to the bad other is significant of the relationship I have with the bad in me
Other becomes ‘bad object’ – object through which I deal with my bad character traits
E.g. bullying, psychological games, hate crimes
Narrative allows us easy construction of Kevin as Eva’s bad object
‘I am damned if I am going to let you freeze out another kid of mine’ – Franklin to Eva’s suggestion of having another child
Franklin constructs Eva as bad mother, using her child to satisfy her own internal conflicts
Eva’s construction of Kevin = antagonistic
Eva makes Kevin bad, responsible, guilty for badness in her life
I am a bad mother Kevin is a bad son
Difficult to source the blame as there is confusion between herself and Kevin
Is Kevin bad son or is Eva just a bad mother?!
Projective identification – Kevin can be constructed differently
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Kevin can be reinserted into society with a place and function (catharsis).
He himself suggests process of projection animates his social exchanges
He highlights that people have fascination for people like him, people who ‘make the bad happen’.
Good citizen – capacity to split themselves into, good and bad
Good citizen enacts good and contains the bad in fantasy or by projecting it onto a target
Content of bad = that which individual cannot allow themselves to fell, determined by individual psychical development
Bad is projected onto another individual who becomes recipient of ideas, feelings, fantasies etc.
Kevin’s comments mean his badness is useful to society
People who enact badness – needed so that majority can purge their badness through the one who ‘acts out’ i.e. Kevin
Acting out – when barrier of good and bad is superseded, e.g. when individual actually harms someone instead of merely fantasising about harming them
Lecture 2- The Old Man and the Wolves
Part Three: Feminism/Post-Modernism
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Week 3– Feminisms
‘no time for black feminism’ loll
Feminism and patriarchal organisation
The three waves of the feminist struggle: a) Liberal feminism b) Radical feminism c) Hard-wave feminism
Male students expect to earn more than their female counterparts
Males paid 30% more than ladies
Definition of feminism: the fight against patriarchy
“the principle objective of feminist criticism has always been political. It seeks to expose, not to perpetrate patriarchal practices. (Moi, 1988: xiv)
READ TORIL MOI – SEXUAL/TEXTUAL POLITICS
Patriarchy is an organisation of culture around a hierarchical difference between the sexes (Feminist Review)
Patriarchy is an organisation
Patriarchy – there is a coding of the social differences based on gender
Codes individual according to certain differences i.e. differences in gender
A patriarchal society is based on the belief that the male is the superior sex and many of the social institutions and much social practice is then organized to reflect this belief: in one sense a patriarchal society is organized so that the belief in male supremacy ‘comes true’. (Spender, 1980:1)
Marginalisation of women
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Patriarchy – something that is preventing women and favouring men and what they
want to become
Still difficult for women to become pilots or conductors
Tendency to want to favour men becoming orchestra conductors
Men glorified, women marginalised
Women still bound to their biological destiny – still questions of whether women should get abortions etc.
A lot of people see feminism as passé, however the goal of feminism still hasn’t been reached
Diversity awareness
Issues of sexual identity
Queer theory, post feminism, post structuralist feminism
Traditional feminism is about fighting the oppression from women
But to fight oppression is in itself being oppressive
Later feminism is then using the very tools that it seeks to suppress
Even if feminism is the fight against patriarchy, it is also a constituent and an integral part of patriarchy
Feminism is many different things
The three phases of the feminist struggle (Kristeva)
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Historically located feminism- the three waves of the feminist struggle:
First wave: Liberal feminism
Struggle of the suffragettes and the existential feminisms, 20s and 30s, Simone de
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Beauvoir publishes the second sex in 1949, rooted in social and political life, uses the values of that society, socially anchored type of feminism, also looks at gender differences in the collective way, understanding of women in a globalising way
Uses liberal politics and ideas
The demands that they make are made around notions of equality
Liberal- suggests that this type of feminism endorses liberalism
Limited state intervention etc.
Aims to apply liberal principles to men AND women
Women are potentially as rational and morally responsib...