We Made A Beautiful Bouquet 花束般的恋爱 PDF

Title We Made A Beautiful Bouquet 花束般的恋爱
Author Nathan Zhang
Course Introduction To Theatre Arts
Institution University of Illinois at Urbana-Champaign
Pages 2
File Size 44.9 KB
File Type PDF
Total Downloads 93
Total Views 136

Summary

we made a beautiful bouquet notes including ways to promote director's thoughts...


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We Made A Beautiful Bouquet 花束般的恋爱 https://www.mypianku.net/py/lRWZ3kGb1w2a_1.html?162731

15:59 / 19:22 similar shoes arranged side by side in the shoe cabinet Giving a sense that they fit with each other very well (allusion) Foreshadowing that they got a lot of common interests 15:36 – 21:32 chop house Change of circumstance from street to a chop house From dark and gray  wood’s orange-brown (high saturation compared and prominent) Lens: far & fixed (third perspective)  mid (the second view)  close-up views (at the time they tell each other the sentence they like) 17:55 – 18:00 close shot  distanced shot (time lapses) 23:00 stopped-clock illusion (explained incorrectly like a joke) 28:38 – 30:15 recollection (character’s voice as narrating) of story in Mugi’s home Director uses recollection a lot in the movie, adopting both conversation in the scene and the voice of reminiscents, which blends audience in to the scene and let them feel the emotion of the characters. 32:04 multi-angle shot cut * shooting through window-shades 33:20 plot cohesion (gas storage tank mentioned) Things discussed are repeatedly appearing later in the movie, making the plots tightly connected and give the audience a sense that all the lays have ends afterwards, making the story genuine in a way. 36:43 love confession switch of lens’ focus from Kinu in phone’s camera to whom in reality. 37:28 Quotation of Kinu: “If you have something disliked, you can also say it out.”

41:53 “Start, is the beginning of the end.” 43:23 “seeing the death of love and obey it” 44:45 “If a girl tells a boy the name of a flower, the boy will think of the girl when seeing that kind of flower in the rest of his life.” 46:59 second view showing characters smaller than usual (audience can barely see Kinu clear), but expressing a special feel though the use of light and shadow. 55:12 the color modulation of Mugi and Kinu under the sun is gorgeous 56:30 – 56:35 switch of lens cut is very tight, making movie plots tight and leave out the time wastes. 01:05:56 “my life goal is to maintain my current status with you.”...


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