Title | ARTH 305 Week 5 - Professor Julia Skelly |
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Author | ZILING FEI |
Course | Methods in Art History |
Institution | McGill University |
Pages | 6 |
File Size | 84.3 KB |
File Type | |
Total Downloads | 67 |
Total Views | 130 |
Professor Julia Skelly...
Week 5 2020年2月4日 星期二
上午8:47
February 4 Unequal discussion of wealth Focus on class even when talking about representation of women Changes in economy impact in subject matters and also the style Difference between ofphandox Later art historians Social economic forces If we talk about class, we have to talk about gender, they are inter It's not enough to just talk about class, but race as well Art not change because society not change, economy not change Social art historians are not like Marxist art historian, they are mu Two key terms for Marxist writing Erases gender, indeed sexuality 1. 2. Ideology -
The term in its modern sense originates with Marx Central meaning for Marxists: it is a kind of "false consciousne means of which the inequality of power
Problem: Who is able to decide what is false consciousness and what is true? TJ Clark - Naturalisation: false consciousness Co rb t's work important b ca s not only r pr s nt labo r b
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There's always space for ideology
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What evidence you read in text does support a norm to keep power the power
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Courbet's work important because not only represent labour b cause anxiety. The works create anxiety for the most time (in aftermath of revolution). In her discussion of Picasso's cubist collages, Leighton … Leighton reads the fragmentation, abruptness and anti-illusion collages as a deliberate attempt by Picasso to show the anxiet violence changes that characterized Europe leading to WW1
Picasso, Guine.. - Attend to what is happening at the time Iconography - Damien Hirst, For the Love of God, 2007 - Right before the recession - Transience of mortality, skull as a symbol, (cp to Claesz, Vanit Life), reminder of death. - Forehead: family logo? - Diamonds material: range of meaning. Luxury, decorate / explo colonialization, history of violence - Not just death, but also rebirth Traccy Emin, My Bed, 1998. - One caused anxiety, confessional artwork - Her bed as reflection of her, seeing herself - Persona, women open with sexuality/ alcohol - What is the intention? What is iconographical reading to a wo drinks, smokes, and has sex? ○ For you, that's an iconographical reading, can be related to ○ Depression ○ Symbolize a chaos behavior, not a good behavior ○ Everything looks cheap, the life of the artist (working clas terms of class struggle Manet, Olympia, 1863. (CP) - Not just a sexual woman, but a threatening sexual woman. On figure who are elunitude to Picasso, The Absinthe Drinker - Skin been tainted because of the alcohol consumption
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Using formalist as her analyzation
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Still in social history Iconography demands to look at artworks s Still
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Reading that goes beyond We do iconography because we have different archive
- Skeleton frame, subhuman creature Otto Dix, Portrait of Journalist Sylvia - Rejecting social norm of femininity, natural role of being moth Rauschenberg, bed, 1955 - Bed: clear identity, intimacy victory paintings of popular scene: falling women, kill herself for th sexual fault - Ichnographically, the prostitute wearing poor cloth, - In life they were rejected, but in death, the wedges of prostitut - Shame is appropriate. So she is redeemed (posture of cross) Gregor Muir - Affect: theories been interested - Women as excessive - Rejection of social norm and gender norm of social behabior
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