Title | Screening Sheet; Cinematography in Do the Right Thing movie |
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Course | Sociology |
Institution | Moi University |
Pages | 5 |
File Size | 107.5 KB |
File Type | |
Total Downloads | 7 |
Total Views | 121 |
Screening Sheet; Cinematography in Do the Right Thing movie entails factors discussed below:
Height
Angle
Distance
Movement
. It also has Central themes, arguments, and/or meanings and How patterns of cinematographic decisions on the first page help the film to present ...
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Screening Sheet: Cinematography in Do the Right Thing
2 Screening Sheet: Cinematography in Do the Right Thing
Height
Angle
Distance Close up shots are
Movement
Camera placements
A Dutch angle
help to contrast
denotes a camera shot highly utilized in the
enable film viewers
characters via
where the camera tilt
film. For instance, in
to get dynamic views.
cinematography. Do
is to one side. Spike
the scene that takes
There are few static
The Right Thing
Lee utilized Dutch
place in Sal’s
shots in the do the
(1989) film has used
angles throughout the
Pizzeria, Pino and
right thing film. The
low and high camera
film to convey
Mookie are involved
movement of
shots.
skewed reality as
in a conversation
characters into, away,
1. Low camera shots:
well as tension.
about society and
and side to the frame
The three main film
Lee thoughtfully
racism.
depicts camera
characters (Buggin
utilized dutch angles
The back and forth
movements. In the
Out, Radio Raheem,
in the film to visually camera in a short
scene where Mookie
and Smiley) shot
confrontation in the
distance between
and other characters
from below when
“do the right thing”
them depicted the
emit racial epithets,
they entered the
film.
negative perception
the camera zooms in.
Famous Pizzeria of
For instance, Pizzeria of black people in
Sal, depicts the
owner Sal gets into
confidence of the
and out of conflict
three characters.
throughout the film.
this scene.
Camera movements
3 This is noted when
In the scene where
The close-up shot of
they demand that
Sal is in conflict with
Budgy and his friends voice of reason is
Sal should change his
four adults sitting at
illustrates their anger
Samuel Jackson
“fame wall” to
the table, the camera
whereas the extreme
(radio personality
portray Black people
bickers these back
close-up on Clifton
character) when he
and not only Italian-
and forth. When
shows his calm yet
moves towards the
Americans.
Buggin’ and Radio
worried nature. The
camera instead of the
2. High camera shots:
Raheem step into the
scene indicates the
camera moving
In the scene where
restaurant, a tilted
attitude of blacks
towards him. The
the three main
camera features them
towards white people. camera demonstrates
characters confront
in a close-up.
Sal, Spike shot the restaurant owner from above to highlight his insecurity and fear of the Black men challenging him.
However, the only
that the characters are addressing viewers.
4 Central themes, arguments, and/or meanings
1. Love and hate among neighborhood individuals. The Whites, African Americans, Asians, and Hispanics in Brooklyn, New York harbor stereotypes, criticism, and violent confrontation amongst themselves. With every ethnic group loving their members and hating their counterpart ethnic groups, the theme of love and hate comes out. Moreover, love and hate spiraled tension. 2. Racial tension. There is tension in Brooklyn, New York, emanating from racism amongst its neighborhoods. The fear of ethnic clashes, fights, and constant confrontations amongst races prompted for heated tension. 3. Police violence. Police officers killed Radio Raheem. Unfortunately, the police who are supposed to protect people and maintain law and order are at the forefront of violence in the film. Characters also shouted the names of other victims of police violence when Police officers killed Radio Raheem.
How patterns of cinematographic decisions on the first page help the film to present the themes/meanings/arguments listed above
In the first scene where a record is playing with conga drums, the camera fades away to focus on the second scene where Puerto Rican men who fall under the Puerto Rican ethnic group. Spike Lee depicts this scene with stereotypes. In this scene, facial appearances, men’s clothes, and language enforces stereotypes by way of choice to show the aspect of racism.
5 When Radio Raheem enters Sal’s Famous with his blaring boom box, an altercation between Raheem and Sal begins. The moves back and forth while maintaining low angle shots of Raheem to the reverse high angle shots of Sal as they continue yelling to one another. This confrontation ended when Radio Raheem turned off the music, restoring peace. This scene depicts the theme of love and hate among races. In the scene where police kill Radio Raheem, leaving the crowd upset, the camera pans from a crowd composed of many blacks to three white men that were staring at them. Thus, this expressed police violence through killings....