Wimsatt and Beardsley \"The Intentional Fallacy\" notes PDF

Title Wimsatt and Beardsley \"The Intentional Fallacy\" notes
Course Modern Literary Criticism And Theory
Institution University of Minnesota, Twin Cities
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Wimsatt and Beardsley "The Intentional Fallacy" lecture notes from Yahav and notes on the text...


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WIMSATT + BEARDSLEY- The Intentional Fallacy

Argument: “The design or intention of the author is neither available nor desirable as a standard for judging the success of a work of literary art” 468 Focus on form Argue against intention as the basis of criticism “Intention is design or plan in the author’s mind”

1. A poem is planned. “To insist on the designing intellect as a cause of a poem is not to grant the design or intention as a standard” 469 2. Must the critic go outside the poem for evidence of intention? 3. “A poem can be only through its meaning -- since its medium is words --yet it is, simply is, in the sense that we have no excuse for inquiring what part is intended or meant” “poetry succeeds because all or most of what is said or implied is relevant 4. Dramatic speaker rather than author: response of a speaker to a situation: “we ought to impute the thoughts and attitudes of the poem immediately to the dramatic speaker” “The poem is not the critic’s own and not the author’s...the poem belongs to the public” 470 “Not wishing to make the poet (outside the poem) an authority” “The evaluation of the work of art remains public; the work is measured against something outside the author” 477 “If a poet had a toothache at the moment of conceiving a poem, that would be part of the experience” but that is not included, obviously Historical? “There is the danger of confusing personal and poetic studies; and there is the fault of writing the personal as if it were poetic” 477 1. Internal is also public: collective knowledge of language 2. External is private or idiosyncratic: revelations about how/why poet wrote poem 3. Intermediate kind of evidence about the character of the author or about private or semiprivate meanings attached to words or topics by the author 1. Personal meanings or associations of words for the author...


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