Title | Writing Prompt: Chant |
---|---|
Course | Music for Listeners |
Institution | Indiana University Bloomington |
Pages | 1 |
File Size | 89.9 KB |
File Type | |
Total Downloads | 23 |
Total Views | 144 |
Writing Prompt: Chant...
Chant
SINGER
MELODY
Kyrie (Gregorian chant)
Alleluia, O virga mediatrix (plainchant)
Anonymous
Hildegard of Bingen
RANGE
TEXT SETTING
Conjunct because avoids wide leaps. Consists of modes. Monophonic
Ranges from narrow to wide.
Syllabic Improvised as Melismatic and Neumatic.
FORM
A-B-A (ternary)
DATE OF PERFORMANCE
Medieval Renaissance Descended from the Middle Eastern sacred music traditions. The variations and varieties in the styles of this chant. It’s surprising in how many ways it can be sung.
WHAT’S SPECIAL ABOUT THIS
Monophonic with a free rhythm (sung without a steady beat).
Adhan: Call to Prayer (Islamic chant)
Anonymous
Extended Wide
Melismaticbeginning Neumatic- middle Melismatic- end Thus, mostly Melismatic in texture. A-B-A (Ternary)
Medieval Late 12th Century. Performed on the feast day for the Virgin
The plainchant is sung RESPONSORIALLY i.e. alternating between the soloist and the chorus.
Disjunct because of long pauses after the first statement. Based on Arabic modemaqam. Monophonic
Initially limited or narrow but later wide.
Melismatic melodic style with less melismas initially but more as the chant proceeds. Repetitive Structure with some variations
Repetitive Free flowing However, rhyme scheme can be A-B-B-B-B-A-B
Medieval Performed five times daily
The meaning of the text is very deep. The delivery differences (slower and faster) between the Call for prayer and Quran is very evocative.
...