Chungking Express Kar Wai 1994 .docx 2 PDF

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Chungking Express (Kar-Wai, 1994) Wang Jiawei, who was at the bottleneck of creation, spent only two months creating the film. Unimpeded end of the shooting of Chongqing forest. This is Wong Kar Wai's fastest creation. Also, as a classic work of 1994, Wong Kar-wai wanted to tell about the feminization of an entire modern metropolitan mentality, the femininity of women, the test of women for men and the search for true love. The forests of the city cut off everyone so much that the people around them saw it, but they did not know each other. The plain life makes people look forward to more accidental stimulation. There are three main characters in the film: Lin Qingxia, Jin Chengwu, and Liang Chaowei. They were unable to extricate themselves under the shadow of their predecessors. They met each other in front of each other, and after a night of acquaintance, they became strangers to each other. However, Liang Chaowei succeeded in getting out of this shadow with Faye Wong's salvage, and he finally harvested an almost unbelievable love. Wong Kar-wai uses the technique of the film to tell a literary story that is profoundly deep but does not use the convention of narrative techniques. Instead, he uses narration, excessive screen information, and background music to promote the flow of emotions. The technique of using movies is anti-movie convention. In fact, it is similar to all the postmodern themes of the works. It is a coincidence that the cause is not necessarily the result, the discontinuity and the encounter. This is also the director's understanding of life. Although

Liang Zhiwei and Faye Wong together at last, it reminded me of the last quest for greens in Watanabe's “Forest in the Forest” and then I remembered the green poem when they looked at the sanitary napkins on the rooftop: I want to cook for you, but unfortunately, I do not have a pot. I wanted to sew a scarf for you. Unfortunately, I did not want to write a poem for you, but I don't have a pen. Because of the development of technology and vision, post-modern people have seen a huge gap between their desire and reality, but they are unwilling or unconditional to make up for it, and they do not believe that it is possible to fill in the fate of accidental and human efforts. Between the sigh and sink. Fortunately, when the ending was over, Wong Kar-wai slightly changed his mind. After Leung Chiu-wai and Faye Wong had worked hard, they delayed the year and finally came to an end. Can be considered a rare piece of work by Wong Kar-wai who can make people happy and delighted....