Title | Tommy Hilfiger Fashion Icon Essay |
---|---|
Course | BA Fashion Marketing |
Institution | University of the Arts London |
Pages | 10 |
File Size | 1.1 MB |
File Type | |
Total Downloads | 95 |
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An essay on the life of Tommy Hilfiger and his iconic status in the fashion industry. The essay considers how Tommy Hilfiger has made an impact on both the fashion industry and the realm of marketing and how it stays relevant today....
“Who The Hell Is Tommy
Hilfiger?” Unit:IntroductionToTheFashionBusiness ForFashionMarketing UnitLeader:DrNataschaRadclyffe-Thomas Tutor:TimothyWilliams
SevdaPinarKiratli StudentID:KIR15459982|BA(Hons)FashionMarketing, Year1
Figure 1
“Who The He
Tommy -Agins,2000 I,SevdaKiratlicertifythatthisisanoriginalpieceofwork, Ihaveacknowledgedallsourcesandcitations.Nosectionofthisessayhasbeenplagiarised. TheCambridgeDictionarydefinesaniconas“a famouspersonorthingthatrepresentssomething
“SeeingJi RollingSto
ofimportance”(Dictionary.cambridge.org,2016). Adaptingthisdefinitiontotherealmoffashion,a
crediblewa thatworld.”
fashioniconissomeoneorsomethingrenowned andimportantintheworldoffashion.Thiscouldbe
Thisconne
apublicpersonalities’style,anarchetypicalgarment withculturalimplications,aniconiclocationora
hasbeenre with‘Amer
designerwhosedesignshaveinspiredandshaped society’swayofapproachingfashion.
designcho Afterexper
TommyHilfigerisapartofthelattercategory.The designerandhiseponymouslabelarethefocusof
theyoungd campuses
thisessayandwillbeanalysedinregardtohisimpactonbothfashionandmarketingbecauseofhis
acrossNew tially,hede
long-termsuccessandoverallpositiverecognition.
pursuedthe
Bornon24March1951,TommyHilfigerisanAmericandesignerknownforhis‘All-American’casual
However,t theageof2
preppyaesthetic“withatwist”(Global.tommy.com, 2016)inthecoloursblue,redandwhite.Hegrewup
hehadnot partofthe
inafamilywitheightsiblingsinasmallcommunity inElmira,NewYork.Atonly18withoutanydesign
Provingon fashionind
educationorexperience,heopenedhisfirstbusinesscalled‘People’sPlace’sellingdenimthathe
turneditint thefashion
embellishedanddistressedwithagroupoffriends. Hisgoalwastogiveitanedgeandmakeitresem-
followingye in1985wit
blewhathisidolswerewearing.(HilfigerandKeeps, 1998).
(Burke,201 Forthelau
GeorgeLo campaignt
andfashion
MusicianSnoopDoggendorsesTommyHilfigeronnationalTV
Figure 2 ThefirstTommyHilfigeradvertisementcreatedbyGeorgeLoisin1985
AlargeTimesSquarebillboardcomparedthe
1.Theiconiclogoand2.theAll-Americanreference
unknownbrandtoestablishedAmericanlabelslike RalphLaurenandCalvinKleinbyusingahangman
thathavedefinedthebrandthroughoutitshistory establishingearlyonthatHilfiger’sfocuswastobe
motive.Theadvertwasboldconsideringitdidnot featureanydesignsbyHilfiger.AsTeriAginsputit,
alifestylebrand(Author,2016basedonprimaryresearch).Thered,blueandwhitelogowassuccess-
itsparkedpeople’scuriositywiththemainquestion being:“WhothehellisTommyHilfiger?”(Agins,
fulmainlyduringthelogohypeinthe1990’sand 2010’sandhasenjoyedarecentcomebackwiththe
2000). However,whatitdidfeaturearetwokeyelementsof
“90’sNostalgia”(DeLeon,2016)
theHilfigerbrandidentity:
Thecampaignprovedverysuccessfulandhelped
Moreover,t
TommyHilfigergainaninstantclassicstatusinthe Americanmenswearmarketwhichinturnhelped
brandingis ating.Byus
maximiserevenues(Banks,2016).Oftenreferredto asaRalphLaurencopycatinthebeginningofhis
“symbolicv withabran
career,TommyHilfigeraimedtocreateamorelaid backandyoungaestheticthanhismoreexclusive
andMarazz
rivalwhileutilisingaverysimilarstructureandkey staffinthe1980’s.
Similarly,h
Hilfigerencounteredfinancialtroublesin1989
associating capturethe
becausehisbusinesspartnerMourjanicouldnot supportthecompanyanylonger.Amajorrestruc-
urbanmove Celebritye
turingofthecompanytookplacein1989withSilas Choubackingthecompanyfinancially.In1992the
themselves ketposition
brandbecamethefirstdesignerlabeltobelisted onthestockmarketprovingthedesigner’sabilityof
effectwher isattributed
forwardthinkingandfastadoptionofnewtechnologyandopportunities(TeriAgins,2000).In2006
lebritymus seemauthe
itbecameprivateagainwithApextakingoveruntil PVHboughtthebrandin2010(Clark,2010).
Anexample Doggwho
Hilfigerlog brothersen
TommyHilf scene(Hilf
HehasmostrecentlyworkedwithmodelGigiHadid fortheTommyxGigicollaboration.Themodelhas
Equallyimp stantadopt
beennamedambassadorandhassincebecome thecentreofTommyHilfiger’spromotionialactivities
Examplesi smartappa
withastrongpresenceonsocialmedia,in-storeand inpaidadvertisements(Author,2016)
ingwearab erservicea
OthercampaignsincludeinfluencerssuchasLucky BlueSmithandHaileyBaldwintappingintothecur-
cooperation flagshipch
rentimportanceofsocialmediaplatformsand Instagram-celebrities(Thebrandhasatotalof14,91
tocustome uctinforma
Theseconceptsoftheindependentandtheinterdependent‘self’dependmostlyontheculturalenviron-
MillionfollowersacrossInstagram,Facebook& Twitter,seeAppendixI).
(Academic cludedthe
ment(SavioloandMarazza,2013). TryingtokeepupwiththechangesTommyHilfiger
TommyHilfigerhasthereforefoundawaytostay
ofimmedia runwaysho
strayedfromthepreppyimagetoattracturbancustomersand“over-licensedandover-exposed”.Aslo-
relevantbycreatingthissuccessfulUSPandcompetitiveadvantage.Thebrandstrivesbyfocusing
Theseextra
goslosttheirallureheaimedtore-attractthepreppy corecustomerbygoingbacktohisoriginalaesthetic
oncreativemarketinginsteadofcreativedesign.An exampleofcreativesalespromotionisthedenim
publicitystu erdoesnot
(Agins,2001)andbecameapartofthePVHgroup thatalsoincludedrivalCalvinKlein.Thiswasmainly
bustourthatpromotedhisnewlylauncheddenim linein1996(TeriAgins,2000).
TommyHilf awell-stag
SocialandculturalchangesintheAmericansocietyduringtheearly2000’sinfluencedthedesigns
TommyHilfigerhassincefollowedthemarketing conceptasamarketingphilosophyaimingtore-
thebrandputforward(BoFTeam,2016).Inthe USthevaluesstartedshiftingtowardsindividuality
spondtoconsumer’swantsandneedsbyassessing popculturetrends.(BoFTeam,2016)Hilfigercon-
andawayfromcollectivismfromthe1960’sand 70’sandhadmanifestedinthe1990’swhichinturn
sidershimselfa“pop-culturefanatic”andusesitas asourceofinspirationforhislabel(Jensen,2015).
meantthatmorecustomerswantedtostandoutand differentiatethemselvesthroughself-expression
Thisinspirationrangesfromartandmusictocelebritiesandinfluencers.Inline,hehasworkedwith
ratherthanfitinandbeapartofalargercommunity. (Yankelovich,1998)
celebritiesrangingfromKateHudsonandDavid BowietoIman
standsfor( ceedsinco
astrategicmovetobuildPVH’sEuropeanexposure becauseTommyHilfigerwasexperiencingsuccess
targetaudie
inEuropeancountries(Clark,2010).Thebrandaccountedfor42%ofPVH’srevenuein2013,Calvin
TommyxGigiintheTommyHilfigerstoreonRengentStreet,Londo
Kleinincomparisonaccountedfor34%(Academic.
“
For me, pop culture has been my greatest inspiration. I thrive on change, evolution and invention, and that’s what pop culture is all about. ” - Tommy Hilfiger, 2016
Figure 5
Figure 7
Aportraitofthepreppydesigner
AprimeexampleofthisphenomenonaretheGigix-
Considering
TommycollaborationwhichaccordingtoWWDwas hisambition stagedtogetcustomerstobuytheproductsco-deic.Herealise signedbycelebrityandmodelGigiHadidandthe TommyJeansCollectionthatfeaturesthebrands
buyingintot intothisfant
retro90’sdesigns(DeLeon,2016)
fashionbran ceptoflifest
increatinga andinclusive
changesand beingagood
establishthe Hisinfluence
getayoung differentand
Figure 8
Figure 9
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Appendix I.
TommyHilfigerSocialMediaPresence
II.
Adigitalillustratedreflectivestatement
Figure3 SnoopDogginaTommyHilfigersweatshirt.(2016).[image]Availableat:http://www.highsnobiety. com/2015/10/07/tommy-hilfiger-racism-scandal/[Accessed6Dec.2016]. Figure2 TommyHilfiger‘Hangman’AdvertisingCampaign.(2016).[image]Availableat:http://www.gq-magazine. co.uk/article/tommy-hilfiger-success-billboard[Accessed6Dec.2016]. Figure1 TommyHilfigeronthedeskofhisoffice.(2015).[image]Availableat:https://global.tommy.com/int/en/newsroom/press-contacts/15[Accessed6Dec.2016]. Figure10 TommyHilfiger,(2016).TommyHilfigerPortraitbyRichardPhibbs.[image]Availableat:http://www.gq-magazin.de/layout/set/fullscreen/mode-stil/mode-news/tommy-hilfiger/(bild)/269332[Accessed6Dec.2016].
Yankelovich,D.(19...