Topic-Philippine Folk Dance PDF

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Summary

Different types of Philippine Folkdances...

Description

• Introduction to Philippine Folk Dance • Brief History of Philippine Folk Dance • Classifications of Philippine Folk Dance • Characteristics of Philippine Folk Dances

Lesson 2

PHILIPPINE FOLK DANCE

At the end of this lesson, you are expected to: •

Enumerate the values derived form from the different forms and

•

classifications of dances. Appreciate the variety and uniqueness of Filipino values and traditions, beliefs and the characteristics of people living on it.

Philippine folk dances have increased popularity and obtained world culture when some Philippine dance troupes performed in foreign nations. The Philippines has dances entertained and delighted people from all walks of life. Folk dances promote national good will through describing the habits customs and beliefs of the people all over the world. Social dances give opportunities to develop the individual’s ability to communicate, mingle and socialize wit other people. Social dances also prepare the person to basic dance steps, positions, movements and rhythms.

Introduction to Philippine Folk Dances Folk dances are traditionally dances of a country which were evolved naturally and spontaneously in connection with everyday activities and experiences of the people. These traditional dances handed down from generation to generation that describe the traditions, beliefs, occupations, ways of life and characteristics of people living in a certain nation through body movements.

Values Derived from Studying Philippine Folk Dances Philippine folk dances minor the culture of Filipino ancestors. Studying Philippine folk dances is likewise, studying the Filipino heritage. You as a students will realize the significance of Philippine Folk Dance in various ways: 1. 2. 3. 4. 5. 6.

Strengthen patriotism and nationalism. Appreciate the aesthetic value of Philippine folk dances. Preserve the Filipino heritage through folk dancing. Promote the Filipino culture through folk dancing. Gain healthy posture through graceful and rhythmic coordination of body movement. Provide a healthy form of relaxation and recreation.

Brief History of the Philippine Folk Dances When the Philippines was discovered by Ferdinand Magellan in 1921, it had been inhabited by differential groups; the Indonesians, Malays and Pygmies. The offspring of the Pygmies were the Negritos whose dances describe their daily activities like Sinulog, a dual dance where two men use bolos.

For centuries, dancing and singing have been the principal past time of the people. The early Filipinos discovered as a religious activity. They performed dances in thanksgiving for a fruitful harvest, a victorious battle and prosperous voyage or recovery from sickness. During the Spanish period, dancing played an important part in the social activities of the Filipinos. Kumintang, a pantomimed song and dance was the oldest recorded activity among the Christianized Filipinos. The Spaniards introduced different dances such as Fandangos, Lanceros, Rigodon, Cariñosa, and Curacha. Western cultures and dances of other European countries during the 16th century were also introduced, absorbed and blended in our native culture which later became our traditional folk dances. Nowadays, folk dancing has been increasing in popularity. There are numerous fascinating Philippine dances which have already been documented and performed not only in school but also in various dance groups, both for amateurs and professionals.

A folk dance is a dance developed by people that reflect the life of the people of a certain country or region. Not all ethnic dances are folk dances. For example, ritual dances or dances of ritual origin are not considered to be folk dances. Ritual dances are usually called "Religious dances" because of their purpose. The terms "ethnic" and "traditional" are used when it is required to emphasize the cultural roots of the dance. In this sense, nearly all folk dances are ethnic ones. If some dances, such as polka, cross ethnic boundaries and even cross the boundary between "folk" and "ballroom dance", ethnic differences are often considerable enough to mention. Folk dances share some or all of the following attributes: • • • •

Dances are usually held at folk dance gatherings or social functions by people with little or no professional training, often to traditional music. Dances not generally designed for public performance or the stage, though they may later be arranged and set for stage performances. Execution dominated by an inherited tradition from various international cultures rather than innovation (though folk traditions change over time). New dancers often learn informally by observing others or receiving help from others.

More controversially, some people define folk dancing as dancing for which there is no governing body or dancing for which there are no competitive or professional institutions. The term "folk dance" is sometimes applied to dances of historical importance in European culture and history; typically originating before the 20th century. For other cultures the terms "ethnic dance" or "traditional dance" are sometimes used, although the latter terms may encompass ceremonial dances. There are a number of modern dances, such as hip hop dance, that evolve spontaneously, but the term "folk dance" is generally not applied to them, and the terms "street dance" or "vernacular dance" are used instead. The term "folk dance" is reserved for dances which are to a significant degree bound by tradition and originated in the times when the distinction existed between the dances of "common folk" and the dances of the modern ballroom dances originated from folk ones.

Classification of Philippine Folk Dances Folk dancing is a very wholesome form of recreation enjoyed by everybody. Significantly, part of the rich Filipino culture and arts is folk dance. There are several dances for all occasions, i.e., wedding, occupation, festival, war and victory. Francisca Reyes Aquino, the Philippines’ national artist and Mother of Philippine Folk Dances started the collection of dances and song as early as 1924. She authorized six (6) volumes of books in Philippine Folk dances and many other unpublished books. These dances have been categorized into non-Christian or their ethnic dances and Christian dances. The ethnic dances are described as the highest form of art of the Filipino dances because of their innate, unique and beautiful movements. The Christian dances mostly adopted the Spanis and other European influences and mixed the native Filipino culture. These Christian dances include Jotas, Pandanggo, and Habanera. Francisca Reyes Aquino identified the Philippine Folk Dances based on general and special classifications.

CLASSIFICATION OF PHILIPPINE FOLK DANCE

General Classification Geography

National • • • • •

Rigodon Cariñosa Jota Balitaw Pandanggo

Nature

Occupational • • • • • •

Planting Harvesting Pounding Winnowing Pabirik Mananguete

Local • • • • •

Tinikling Maglalatik Esperanza Subli Biniganbigat

Religious • • • • •

Dugsu Sua-Sua Putong Sta. Clarang Pinong-pino

Comic • • •

Kumbokumbo Makonggo Kinoton

Movements

Active • • • •

Tinikling Maglalatik Sakuting Polkabal

Moderate • • • •

Cariñosa Tagala Habanera Puripuri

Special Classification Formation

Square or Quadrille • •

Rigodon Los Bailes de Ayer

Long Formation • •

Lulay Sakuting

• • •

Binadyong Haplik Kakawati

Set Slow • • • •

Pasakat Amorora Tiliday Kundiman

Old Ballroom Dance • • • •

Polka Mazurka Chotis Valse

Dance with Implements • • • • •

Maglalatik Sakuting Jota Macadeòa Tinikling Salakot

Dances of Combined Rhythm • • •

Surtido Pantomia Los Bailes de Ayer

Game • •

Slow&Fast Lubi-lubi Pavo

Wedding •

Pananasaan

• • • • •

Putritos Ba-Ingles Habanera Botoleòa Alcomfor

Courtship • • • • •

Hele-hele Bago Quire Maramion Tadek Dalingdaling

Festival • • • •

Pandanggo Habanera Jota Suntido

War • •

Sagayan Palu-palo

DESCRIPTIONS: 1. 2. 3. 4.

National Dances – present throughout the island with little or no modifications Local Dances – present in certain localities only. Occupational – dances depicting action of certain occupation, industry or human labor. Religious or Ceremonial – dances being performed in connection with religious vows and ceremonies. 5. Comic Dances – depicting funny movement for entertainment. 6. Game Dances – having play elements (dance mixers.) 7. Wedding Dances – dances being performed during wedding feast. 8. Courtship Dances – dances depicting love-making. 9. Festival Dances – dances fitting for special occasion or any social gathering. 10. War Dances – dances showing imaginary combat or duel.

Characteristics of Philippine Folk Dances Philippine Folk Dances are described in terms of the following: 1. 2. 3. 4.

Dancers stand apart. Partners stay apart at 6’ away There is little, if any, bodily contact. Most dances are in long formation.

5. 6. 7. 8. 9.

Most of the dances are done by pairs or couples. Hand movements play an important part. Most dances begin and end with saludo. Dance form the lowlands have more foreign elements than those found in the uplands. War dances are found among non-Christian tribes.

DO’s in Folk Dancing Folk Dancing will require the following tips: 1. 2. 3. 4. 5.

Dance in natural, simple and direct manner. Dance with ease and smoothness. Use the proper costumes for dance. Follow directions and dance instructions as closely as possible. Dance with feeling and expression....