Virginia Woolf - A Room of One\'s Own Summary PDF

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Riassunto breve e completo riguardante la lezione sul saggio A Room of One's Own Summary di V. Woolf. Contiene i temi principali del saggio. ( in inglese )...

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A Room of One's Own is an essay by Virginia Woolf. Published in 1929, the essay employs a fictional narrator and narrative to explore women both as writers of and characters in fiction. This essay is generally seen as a feminist text since it advocates – as the title suggests - a literal and figural space for women writers within a literary tradition dominated by patriarchy. The title of the essay comes from Woolf's conception that, 'a woman must have money and a room of her own if she is to write fiction'. In fact, Woolf notes that women have been kept from writing because of their relative poverty, and financial freedom will bring women the freedom to write. "In the first place, to have a room of her own... was out of the question, unless her parents were exceptionally rich or very noble". The title also refers to any author's need personal liberty to create art. Judith Shakespeare In one section of her essay, Woolf invents a fictional character – Judith - "Shakespeare's sister," to illustrate that a woman with Shakespeare's gifts would have been denied the opportunity to have a higher education and free access to university. Indeed, just like Woolf, who stayed at home while her brothers went off to school, Judith stays at home while William goes off to school. Her character Judith, even if adventurous and imaginative is trapped by a patriarchal system that limits women’s expectations and obliges them to stay at home or to get married. A history of women’s writing In the essay, Woolf constructs a critical and historical account of women writers thus far. Woolf examines the careers of several female authors (including Aphra Behn, Jane Austen, the Brontë sisters, Anne Finch, Countess of Winchilsea, and George Eliot) and she also refers to the contribution given by the famous scholar and feminist Jane Ellen Harrison. Harrison is presented in the essay only by her initials separated by long dashes, and Woolf first introduces Harrison as "the famous scholar… J ---- H---- herself". Among the men attacked for their views on women, F. E. Smith, First Earl of Birkenhead (referred to as "Lord Birkenhead") who is mentioned because he was an opponent of suffrage. The essay quotes Oscar Browning through the words of his (possibly inaccurate) biographer H. E. Wortham: [12] "'… the impression left on his mind, after looking over any set of examination papers, was that…the best woman was intellectually the inferior of the worst man.' The Four Marys The narrator of the work is at one point identified as " Mary Beaton, Mary Seton, or Mary Carmichael", alluding to the sixteenth century ballad Mary Hamilton. In referencing the tale of a woman about to be hanged for existing outside of marriage and rejecting motherhood, the narrator identifies women writers such as herself as outsiders who exist in a potentially dangerous space. It is important to note that Woolf's heroine, Judith Shakespeare, dies by her own hand, after she becomes pregnant with the child of an actor. Like the woman in the Four Marys, she is pregnant and

trapped in a life imposed on her. Woolf sees Judith Shakespeare, Mary Beaton, Mary Seton, Mary Carmichael, as powerless, impoverished women everywhere as threatened by the spectre of death. Lesbianism In another section, describing the work of a fictional woman writer, Mary Carmichael, Woolf deliberately invokes lesbianism: "Then may I tell you that the very next words I read were these – 'Chloe liked Olivia...' Do not start. Do not blush. Let us admit in the privacy of our own society that these things sometimes happen. Sometimes women do like women." Woolf references the obscenity trial and public uproar resulting from the publishing of Radclyffe Hall's lesbian-themed novel, The Well of Loneliness published in 1928. Before she can discuss Chloe liking Olivia, the narrator has to be assured that Sir Chartres Biron, the magistrate of Hall's obscenity trial is not in the audience: "Are there no men present? Do you promise the figure of Sir Chartres Biron is not concealed? We are all women, you assure me? Then I may tell you..." The feminist critic Jane Marcus believes Woolf was giving Radclyffe Hall and other writers a demonstration of how to discuss lesbianism discreetly enough to avoid obscenity trials. Woolf was comfortable discussing lesbianism in her talks at the women college with her women students because she felt a women's college was a safe and essential place for such discussions....