Title | Crucible paragrpah quote and analysis |
---|---|
Author | Gabrielle Dra |
Course | English: Advanced English |
Institution | Higher School Certificate (New South Wales) |
Pages | 2 |
File Size | 58.6 KB |
File Type | |
Total Views | 128 |
Crucible quotes and analysis...
QUOTE
ANALYSIS
“for now my ministry’s at stake, my
repetition of ‘my ministry’ and hyperbole emphasise that
ministry and perhaps your cousin’s
he attributes more weight to his position as Salem’s
life.”
reverend than his role as a father. Miller elucidates that this obsession with protecting one’s reputation can be destructive to relationships and one's own integrity as Parris’s disregard for his daughter’s wellbeing is further evident through the second person pronoun ‘your cousin’, showing this detachment.
‘Abigail, in a temper: “My name is
Miller exposes how Abigail’s concerns about her
good in the village! I will not have it
reputation and “name” drive her malicious actions,
said my name is soiled! Goody
ultimately accusing Tituba of witchery. If her name is
Proctor is a gossiping liar!”’
“soiled,” Abigail could face harsh consequences in the Salem theocracy where women are already subordinate.
“I have known her, sir. I have known
in the hopes that it will validate Mary Warren's claims
her”
and save Elizabeth. Here, the starting point to reclaim his probity within the corrupt Salem can be seen through his repetition of “I have known her”. Through the striking polarisation of Proctor and Abigail’s responses to their own wrong doings, Miller creates a dichotomy of fundamentally ‘good’ and ‘evil’.
“a plain bench at the left, and
symbolises both the hierarchical ranks and societal
another at the right. In the centre a
positions within Salem but also their tendency to incite
rather long meeting table, with stools
injustices and belittlement.
and a considerable armchair snuggled up to it” “I should hang ten thousand that dare
The use of hyperbole . . . accentuates the faults within
to rise against the law and an ocean
Danforth's application of the law and how it suppresses
of salt tears could not melt the
the sense of individual voice. The juxtaposition between
resolution of the statutes”,
the emotive language of ‘ocean of salt tears’ with the firmness of Danforth’s statement subverts courts purpose to find justice, as it further demonstrates the inhumanity within the justice system and the damage it has inflicted upon the individual experience.
“Let either of you breathe a word, or
Abigail's threatening tone, . . . , exposes her clear
the edge of a word, about the other
determination to hold power over the people in Salem.
things, I will come to you in the black
The metaphorical expression “edge of a word”,
of night and I will bring you a pointy
represents her motivations and the extent to which she
reckoning that will shudder you”
will abuse her authority to ensure her personal safety.
“I saw Sarah Good with the Devil! I
The dramatic tension engages the audience as Abigail
Saw Goody Osbourn with the Devil!”
exclaims . . . The repetition of “I saw” and the motif of accusations based on ocular proof, reveals an escalation of hysteria that encapsulates the society of Salem, the underlying purpose challenging the hysteria surrounding the irrational fears of communism.
“she’d dare not call out such a
The antithesis ties the irrational hysteria proliferated by
farmer's wife but there be monstrous
Abigail to her own ulterior motives. This is conveyed
profit in it”
through the oxymoron ‘monstrous profit’, which showcases how fear and hysteria are used to aid personal and heinous intent.
“They were murdered, Mr Parris! And
The fear and hysteria has already overcome Mrs
mark this as proof!”.
Putnam as a result of her tragic background and the loss of seven children. Emotive language further exemplifies the notion of fear, as her personal distress has cemented her belief in witchcraft over ocular proof. Mrs Putnam’s character makes clear to the audience that fear can be promoted through ones previous personal experiences.
The acoustic climax of a cacophony
creates an uncomfortable auditory impact that
of chanting, prayers, rejoicing, fear
symbolically inhibits rationality. As such, Miller explores
and cries as “the curtain falls” at the
how hysteria quickly spirals out of control in the
end of Act 1
absence of objective thought....