Humms-2123 WEEK 1-10 - Mr. Pepe-converted PDF

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CREATIVE NON FICTION week1-10 Ni Mr.Pepe Di lahat nandito pero sana makatulong TRUE

Choose False for vague and True for sharp Robert sat at the back of the cinema. This way, he could see the rows upon rows of maroon seats, the popcorn littering the floor, and even the discreet flashing of mobile phones. The silhouettes that pass him have become part of what he loved about the cinema. >TRUE

It is difficult to use a monologue in a nonfiction piece. >TRUE

Characterizing through the expression of progression of development. >CHARACTER GROWTH

Choose False for wordy mess and True for effective description Maddy needed three sharpened pencils, a pencil case, five exercise books, and some pens. The bookstore has them all. However, her attention has turned to all the stationery. What if she also bought some sheets? >FALSE

When writing a dialogue, you only do so to impart information. >TRUE

Haley ran through the cornfields, her hair flying. She screamed, Ronnie! I'm here! >INDIRECT

Timothy is brave. He served three years in Iraq. >DIRECT Character growth is only expected in morality tales. >FALSE

When you describe how a person holds his coffee or calls the waiter, you are using indirect characterization. >TRUE

Choose False for vague and True for sharp The table was filled with glass plates, full to the brim of haute cuisine. With only three persons in attendance, how would they finish everything? Lili thought it did not matter. Nobody would really be seeing them chomp on the food in the crowded restaurant. >TRUE

It was cliche - dinner with candlelight and a single red rose. For Anna, however, she had to partake, alone, in a corner of the restaurant. Her hands tremble as she tried to keep tears in check. >MELANCHOLY

A character can only be described one way in a narrative. >FALSE

Indirect characterization can more clearly show what the motivation to an action is. >FALSE

The phrase "crackling fire" could both be used in idyllic and scary settings. >TRUE

A narrator talks about the character. >DIRECT CHARACTERIZATION

The box was locked, the key nowhere to be seen. Mrs. Dorothy Andrews peered at it, curiously. She was no sleuth, but this is a puzzle that she must solve. >MYSTERIOUS

Gestures and mannerisms are difficult to include in nonfiction, but can really flesh out the character. >TRUE

Indirect characterization is always enough to flesh out a character. >TRUE

Characterizing through the use of actions and mannerisms. >GESTURES

It Choose False for vague and True for sharp Standing on the side of the road, waiting for somebody to pass, Nina cried. >FALSE

The letter came in the mail yesterday. The envelope was thick. She ripped it open, staring at the loveliest lace handkerchief clasped in perfumed paper. The letter began with "My beloved". >ROMANTIC

Characters should be consistent and not change at all. >FALSE

The word "howling" is best used in a scary scenario. >TRUE

The little boy covered his ears with his hands as the calypso music thundered all around him. He whimpered, kicking his legs, while his parents continued to laugh. >INDIRECT

Choose False for vague and True for sharp Andy rode his bike down the hill. His friend, Jacob, followed closely. He wondered why Jacob did not try to race. He was the faster rider. >FALSE

Choose False for wordy mess and True for effective description Sophie goes to the beach every time she needs to read a book. Her bag

would be full of her treasures: paperback, bookmark, tablet, phone, wallet, and coins.>FALSE

Describing how a character hits a ball is direct characterization. >FALSE

Characterizing by formal or direct description. >DIRECT CHARACTERIZATION

The crowd gathered in the hall. They wanted to see him speak. >VAGUE

It was the most beautiful place in the world, Elsie told herself. It has everything that she ever wanted. >VAGUE

Mr. Ruiz is a kind man. He does not like to hurt anyone else's feelings. >DIRECT The little boy covered his ears with his hands as the calypso music thundered all around him. He whimpered, kicking his legs, while his parents continued to laugh. >INDIRECT

A book of vignettes can characterize a person, or even a place. >TRUE

The bars of the cage were crusty with rust. Prisoner A held onto them tightly, hunched in the 16 square meter prison, swaying a few feet over the cracked floor.

Her back slouched, clothes wrinkly, she only answers in short, quiet sentences, but she can hold someone's gaze. >INDIRECT

This makes use of poetic devices: "An artisan without memories, whose only dream was to die of fatigue in the oblivion and misery of his little gold fishes." - Gabriel Garcia Marquez, One Hundred Years of Solitude >TRUE

Drama refers to the genre in which the stories can make people cry. >FALSE

Prose fiction is based on imaginary events and is in poetic form. >FALSE

This displays strong dialogue: 'You are always calling on God,' she said. 'Do you believe in God?' 'Of course, of course I believe in the power and wisdom of my creator.'She raised her eyebrows and the corners of her mouth turned down in a questioning mocking way. For a moment she looked very much like Amelie. Perhaps they are related, I thought. It's possible, it's even probable in this damned place. 'And you,' I said. 'Do you believe in God?''It doesn't matter,' she answered calmly, 'what I believe or you believe, because we can do nothing about it, we are like these.' She flicked a dead moth off the table. - Wide Sargasso Sea, Jean Rhys >TRUE

Strong dialogue can exist in more than one literary genre. >TRUE

In the premise below, the highlighted element is character. "What if a thin dog is placed in the midst of large brown dogs and was bitten and bullied by the others?" >TRUE

In the premise below, the highlighted element is character. "A little pig journeys with some of his friends to faraway lands, depending solely on the pig's resourcefulness." >TRUE

Racism in 1960s southern America >THEME

A terrible storm strikes the small island of Cropek. The community must learn to recuperate afterwards. >SETTING

It is still considered nonfiction if the details of the story are no longer based on real life. >FALSE

"Gatsby believed in the green light, the orgastic future that year by year recedes before us. It eluded us then, but that's no matter-tomorrow we will run faster, stretch out our arms farther...And then one fine morning - So we beat on, boats against the current, borne back ceaselessly into the past." F. Scott Fitzgerald, The Great Gatsby >PRECISION

Romeo and Juliet as vampire and werewolf as in Underworld >CHARACTER

Fiction sometimes makes use of unusual/experimental forms. >TRUE

A premise is closer to a thesis statement, not a thesis. >TRUE

This displays strong dialogue: "Sorry," he said, and he was breathless, too. "That was out of line." "I don't mind," I panted. He frowned at me in the darkness. "Try to sleep. Bella." "No, I want you to kiss me again." "You're overestimating my self-control." - Twilight, Stephenie Meyer >FALSE

This displays strong dialogue: "Yeah, Jack ran after Melanie," Arthur told us. "Jack tried to get her to turn around. Jack ran down the street, calling Melanie's name, determined she'd listen to Jack's pleas one time." Arthur snapped his fingers. Nodded. "Yeah, Jack would get her to listen. Jack had

that way about him. Melanie didn't stand a chance. Not with Jack dogging her that way." - theeditorsblog.net >FALSE

The premise and the thesis statement are completely synonymous. >FALSE

A theme includes the major plot points of a story. >FALSE

"'Why did you do all this for me?' he asked. 'I don't deserve it. I've never done anything for you.' 'You have been my friend,' replied Charlotte. 'That in itself is a tremendous thing.'" E.B. White, Charlotte's Web >DIALOGUE

This makes use of poetic devices: "Sometimes I can hear my bones straining under the weight of all the lives I'm not living." - Jonathan Safran Foer, Extremely Loud and Incredibly Close >TRUE

All textbooks are examples of creative nonfiction. >FALSE

Themes are always blatant or obvious. >FALSE

In a war scenario, it is possible to use themes such as racism, oppression and unrest. >TRUE

"I looked at the stars, and considered how awful it would be for a man to turn his face up to them as he froze to death, and see no help or pity in all the glittering multitude." -Dickens, Great Expectations >POETIC

This makes use of poetic devices: "Look again at that dot. That's here. That's home. That's us. On it everyone you love, everyone you know,

everyone you ever heard of, every human being who ever was, lived out their lives". - Pale Blue Dot, Carl Sagan >FALSE

In the premise below, the highlighted element is setting. "The cat and the mouse fight a lot every day, but miss each other when the other is away". >FALSE

"'Why did you do all this for me?' he asked.'I don't deserve it. I've never done anything for you.' 'You have been my friend,' replied Charlotte. 'That in itself is a tremendous thing.'" E.B. White, Charlotte's Web >DIALOGUE

This displays precision in language: The soft clouds were lit by the morning sun, glowing orange-yellow, a color that Jake would have described as like the little blob of pasty stuff that TV dinners like to claim is peach cobbler-except, of course, that he was dead and it seemed unlikely that he was going to say anything at all. - trygve.com >FALSE

The plot narrates the general outline of a story. >TRUE

Poetry makes use of sentences and definite lines. >FALSE

This displays precision in language: "He allowed himself to be swayed by his conviction that human beings are not born once and for all on the day their mothers give birth to them, but that life obliges them over and over again to give birth to themselves." - Gabriel Garcia Marquez, Love in the Time of Cholera >TRUE

This displays precision in language: Cheryl's mind turned like the vanes of a wind-powered turbine, chopping her sparrow-like thoughts into bloody

pieces that fell onto a growing pile of forgotten memories. - Sue Fondrie >FALSE

The basis of the full story is the premise. >TRUE

Fiction and poetry can both exist in one literary work. >TRUE World War II, holocaust >THEME

This makes use of poetic devices: "An artisan without memories, whose only dream was to die of fatigue in the oblivion and misery of his little gold fishes." - Gabriel Garcia Marquez, One Hundred Years of Solitude >TRUE

Drama refers to the genre in which the stories can make people cry. >FALSE

Prose fiction is based on imaginary events and is in poetic form. >FALSE

This displays strong dialogue: 'You are always calling on God,' she said. 'Do you believe in God?' 'Of course, of course I believe in the power and wisdom of my creator.'She raised her eyebrows and the corners of her mouth turned down in a questioning mocking way. For a moment she looked very much like Amelie. Perhaps they are related, I thought. It's possible, it's even probable in this damned place. 'And you,' I said. 'Do you believe in God?''It doesn't matter,' she answered calmly, 'what I believe or you believe, because we can do nothing about it, we are like these.' She flicked a dead moth off the table. - Wide Sargasso Sea, Jean Rhys >TRUE

Strong dialogue can exist in more than one literary genre. >TRUE

In the premise below, the highlighted element is character. "What if a thin dog is placed in the midst of large brown dogs and was bitten and bullied by the others?" >TRUE

In the premise below, the highlighted element is character. "A little pig journeys with some of his friends to faraway lands, depending solely on the pig's resourcefulness." >TRUE

Racism in 1960s southern America >THEME

A terrible storm strikes the small island of Cropek. The community must learn to recuperate afterwards. >SETTING

It is still considered nonfiction if the details of the story are no longer based on real life. >FALSE

"Gatsby believed in the green light, the orgastic future that year by year recedes before us. It eluded us then, but that's no matter-tomorrow we will run faster, stretch out our arms farther...And then one fine morning - So we beat on, boats against the current, borne back ceaselessly into the past." F. Scott Fitzgerald, The Great Gatsby >PRECISION

Romeo and Juliet as vampire and werewolf as in Underworld >CHARACTER

Fiction sometimes makes use of unusual/experimental forms. >TRUE

A premise is closer to a thesis statement, not a thesis. >TRUE

This displays strong dialogue: "Sorry," he said, and he was breathless, too. "That was out of line." "I don't mind," I panted. He frowned at me in the darkness. "Try to sleep. Bella." "No, I want you to kiss me again." "You're overestimating my self-control." - Twilight, Stephenie Meyer >FALSE

This displays strong dialogue: "Yeah, Jack ran after Melanie," Arthur told us. "Jack tried to get her to turn around. Jack ran down the street, calling Melanie's name, determined she'd listen to Jack's pleas one time." Arthur snapped his fingers. Nodded. "Yeah, Jack would get her to listen. Jack had that way about him. Melanie didn't stand a chance. Not with Jack dogging her that way." - theeditorsblog.net >FALSE

The premise and the thesis statement are completely synonymous. >FALSE

A theme includes the major plot points of a story. >FALSE

"'Why did you do all this for me?' he asked. 'I don't deserve it. I've never done anything for you.' 'You have been my friend,' replied Charlotte. 'That in itself is a tremendous thing.'" E.B. White, Charlotte's Web >DIALOGUE

This makes use of poetic devices: "Sometimes I can hear my bones straining under the weight of all the lives I'm not living." - Jonathan Safran Foer, Extremely Loud and Incredibly Close >TRUE

All textbooks are examples of creative nonfiction. >FALSE

Themes are always blatant or obvious. >FALSE

In a war scenario, it is possible to use themes such as racism, oppression and unrest. >TRUE

"I looked at the stars, and considered how awful it would be for a man to turn his face up to them as he froze to death, and see no help or pity in all the glittering multitude." -Dickens, Great Expectations >POETIC

This makes use of poetic devices: "Look again at that dot. That's here. That's home. That's us. On it everyone you love, everyone you know, everyone you ever heard of, every human being who ever was, lived out their lives". - Pale Blue Dot, Carl Sagan >FALSE

In the premise below, the highlighted element is setting. "The cat and the mouse fight a lot every day, but miss each other when the other is away". >FALSE

"'Why did you do all this for me?' he asked.'I don't deserve it. I've never done anything for you.' 'You have been my friend,' replied Charlotte. 'That in itself is a tremendous thing.'" E.B. White, Charlotte's Web >DIALOGUE

This displays precision in language: The soft clouds were lit by the morning sun, glowing orange-yellow, a color that Jake would have described as like the little blob of pasty stuff that TV dinners like to claim is peach cobbler-except, of course, that he was dead and it seemed unlikely that he was going to say anything at all. - trygve.com >FALSE

The plot narrates the general outline of a story. >TRUE

Poetry makes use of sentences and definite lines. >FALSE

This displays precision in language: "He allowed himself to be swayed by his conviction that human beings are not born once and for all on the day their mothers give birth to them, but that life obliges them over and over again to give birth to themselves." - Gabriel Garcia Marquez, Love in the Time of Cholera >TRUE

This displays precision in language: Cheryl's mind turned like the vanes of a wind-powered turbine, chopping her sparrow-like thoughts into bloody pieces that fell onto a growing pile of forgotten memories. - Sue Fondrie >FALSE

The basis of the full story is the premise. >TRUE

Fiction and poetry can both exist in one literary work. >TRUE

World War II, holocaust >THEME

The denouement refers to the part of the plot wherein the pieces start to fall together. >FALSE

We laughed about all the kids who believed in the Santa myth and got nothing for Christmas but a bunch of cheap plastic toys. "Years from now, when all the junk they got is broken and long forgotten," Dad said, "you'll still have your stars."-Jeannette Walls, The Glass Castle >DIALOGUE

Usually, what triggers the rising action is a catalyst. >TRUE

This makes use of poetic devices: "The terror, which would not end for another twenty eight years - if it ever did end - began, so far as I can tell,

with a boat made from a sheet of newspaper floating down a gutter..." It, by Stephen King >FALSE

This makes use of poetic devices: The family now better off after the father won the latest lottery. >FALSE

Creative Nonfiction is merely concerned about revealing the "who, what, where, when, and why". >FALSE

Your premise is basically your pitch. >TRUE

Drama nonfiction is in the form of a play. >TRUE In the premise below, the highlighted element is character. What if a wolf finds itself in the city and is tamed by a little boy? >TRUE

This makes use of poetic devices: "It was late winter in northern Rus', the air sullen with wet that was neither rain nor snow." - The Bear and the Nightingale, by Katherine Arden >FALSE

And that's when I first learned about evil. It is built into the very nature of the universe. Every world spins in pain. If there is any kind of supreme being, I told myself, it is up to all of us to become his moral superior. --Terry Pratchett, Unseen Academicals >POETIC

In the premise below, the highlighted element is the character: What if there is an inventor who never invented anything but the beginnings of the end of the world? >FALSE

From what person's perspective the writer poses the narrative is called the POV. >TRUE

This displays strong dialogue: "I'm your brother... from another mother. " There Will Be Blood >FALSE

If the rest of the audience knows what is going on, but one of the characters does not know and is therefore behaving contrarily, it is called irony. >FALSE

Distinguish creative non-fiction from fiction. Fiction or nonfiction: When Breath Becomes Air is >NON FICTION

This displays strong dialogue: "This isn't what we talked about." "I know." "You have to understand that I have four kids." There was no answer. "You can't just take my house. I need a little more time." "We'll see," he rose from his chair. >TRUE

Memoirs can have plots. >TRUE

Indirect characterization includes actions done and words said by the character himself/herself. >TRUE

If the perspective taken is that of a young boy's, that boy is also the narrator of the story. >FALSE

In the premise below, the highlighted element is the theme of poverty. What if there is a poor family who moved in to serve a rich one during the late 19th century? >TRUE

In the premise below, the highlighted element is setting. What if nature turns a...