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FACULTY ART AND DESIGN

ART AND COLONIALISM

FET 638 ASIAN AESTHETIC ART AND CONTEXT

COLONIALISM OF ART NARATIVE FISHERMAN PEOPLE

PREPARED BY MUHAMMAD HAFIZ BIN KAMARUL NAEM (2020986415)

PREPARED FOR

PROF. DR. RAFAEH LEGINO

WORKING TITTLE Analyzing colonialism art through the contemporary art style in the making of the still life artwork of narrative sosio-economy fisherman.

ABSTRACT This study is about the Colonialism Art which I choose the contemporary art style to create the artwork. My study is more of still life in contemporary art that emphasizes the surrounding conditions in my area. My research is given a style in terms that looks naive art followed by the element and principle of repetition of thick and thin lines showing movement.

1.

INTRODUCTION

In the art of colonialism, I would like to focus on the study of the still life that look naïve art perspective to create the narrative sosio-economy fisherman. In addition, in the art of colonialism, I also highlight some areas that have long been operating fishing activities and today are different from the past. In my work, I also examine the old town area, which is the place or village that used to make Kuala Rompin remain active in fishing activities. Based on the research that I have research Kuala Rompin mostly have the history in terms of architectural history, economic activity and many more. The selection of my idea is based on the history of Kuala Rompin Jeti and the old town which used to be active with social economy activities, especially in fishing villages. and also now still operating but to different places for example in Pontian, Kuala Rompin. The description for my work is also showing some action activities with social economy culture that was shown at some point in the past.

Image 1: Jeti kuala Rompin, Bandar Lama

Image 2: “Bandar lama” year 1990

2.

STYLE AND HISTORICAL CONTEXT

Naive art can easily be dismissed as art created by people who “don’t know what they’re doing”, but that undermines the raw creativity found in the works of movement and its unbridled and instinctive approach to material, composition and ideas. Before the 20th century, in its most basic sense, naive art was a form of visual art created by someone who had no formal education and training that a professional artist underwent. When trained artists imitate this aesthetic, it is often referred to as primitivism, pseudo-naive art or fave naive art. The approach chosen is not only focused on that but also added to show modern art between naive art and contemporary art. Looking at this trend, I am drawn to the depiction of paintings that are not properly drawn according to the theory and understanding of art itself because this visual naive art itself can also be used to explain the situation itself.

3. OBJECTIVES 

To study about the naïve art and contemporary style in the making of artwork.



To portray the narrative fisherman in the form of still life by using Naïve art influence style.

4. VISUAL RESEARCH

Place at Kuala Pontian, Kuala Rompin

Fishermen's association complex

Bandar lama right now

5. ARTIST REFERENCE Kide Baharudin

Title:Tempoyak Petai Medium: Arcylic on Canvas Size: 45x 45 cm Year: 2020

Content Tell us Malay culture through eating “ Tempoyak Petai”, the food served shows the characteristics of traditional food from generation to another generation that is often eaten with the family. Context This is what the culture and traditions of the Malays in the past that still serves dishes from salads were over at that point.

Lee Joo For

Title: Bertiga di Tepi Laut Medium: Oil paint on Bod Size: 49.5 cm x 97 cm Year: 1959 Content This painting depicts three women sitting by the sea while tying a net or repairing a broken net. Their background is a fishing boat that was partially sheltered through Lee Joo’s view for when this artwork was produced. Context Featuring community subjects, groups and local culture who wear traditional baju kurung.

6. IDEATION/ SKETCHERS

Fishing activities on the lake

Collecting fish from the sea

Bandar Lama, Kuala Rompin

7. CONCLUSION In conclusion, this study is about the art of colonialism through naive art style and contemporary art. Based on the study made that the colonial influence in the art has an impact to this day that is in terms of the lives of the ancients until now still maintain the culture, and traditional ways for fishermen. Even so, it is different due to the sophistication of today's technological tools but there are some fishermen who prefer the traditional way. Thus, this provides a different narrative of the past and present that impacts present -day life. This provides an understanding in terms of colonialism art

8. REFERENCE Bibliography Brodskaya, N. (2012). Naive art. Parkstone International. https://books.google.com.my/books? hl=id&lr=&id=y35VZYoT4o0C&oi=fnd&pg=PA5&dq=NAIVE+ART+&ots=dxDs5VHWRi &sig=z1cn0z2lrT5iP2SHaYpku7s91jc&redir_esc=y#v=onepage&q=NAIVE %20ART&f=false

Cham, B. N. (1977). Colonialism and communalism in Malaysia. Journal of Contemporary Asia, 7(2), 178-199. https://www.tandfonline.com/doi/abs/10.1080/00472337785390141?journalCode=rjoc20...