Title | The picture of dorian gray |
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Author | Jalen Vosevich |
Course | Sectional Anatomy |
Institution | University of Missouri |
Pages | 169 |
File Size | 1.1 MB |
File Type | |
Total Downloads | 13 |
Total Views | 145 |
The book about the picture of dorian gray...
ThePictureofDorianGray
By
OscarWilde
THEPREFACE
The artist is the creator of beautiful things. To reveal art and conceal the artistisart'saim.Thecriticishewhocantranslateinto anothermannerora newmaterialhisimpressionofbeautifulthings. The highest as the lowest form of criticism is a mode of autobiography Those who find ugly meanings in beautiful things are corrupt without being charming.Thisisafault. Those who find beautiful meanings in beautiful things are the cultivated Forthesethereishope.Theyaretheelecttowhombeautifulthingsmeanonly beauty. There is no such thing as a moral or an immoral book. Books are wel written,orbadlywritten.Thatisall. ThenineteenthcenturydislikeofrealismistherageofCalibanseeinghis ownfaceinaglass. The nineteenth century dislike of romanticism is the rage of Caliban no seeinghisownfaceinaglass.Themorallifeofmanformspartofthesubjectmatter of the artist, but the morality of art consists in the perfect use of an imperfect medium. No artist desires to prove anything. Even things that are truecan be proved.No artisthas ethicalsympathies. Anethical sympathyin anartistisanunpardonablemannerismofstyle.Noartistisevermorbid.The artist can express everything. Thought and language are to the artis instrumentsofanart.Viceandvirtuearetotheartistmaterialsforanart.From the point of view of form, the type of all the arts is the art of the musician Fromthepointofviewoffeeling,theactor'scraftisthetype.Allartisatonce surface and symbol. Those who go beneath the surface do so at their peril Thosewhoreadthesymboldosoattheirperil.Itisthespectator,andnotlife thatartreallymirrors.Diversityofopinionaboutaworkofartshowsthatthe workisnew,complex,andvital.Whencriticsdisagree,theartistisinaccord with himself. We can forgive a man for making a useful thing as long as he does not admire it. The only excuse for making a useless thing is that one admiresitintensely. Allartisquiteuseless. OSCARWILDE
CHAPTER1
The studio was filled with the rich odour of roses, and when the ligh summer wind stirred amidst the trees of the garden, there came through the open door the heavy scent of the lilac, or the more delicate perfume of the pink-floweringthorn. From the corner of the divan of Persian saddle-bags on which he was lying, smoking, as was his custom, innumerable cigarettes, Lord Henry Wotton could just catch the gleam of the honey-sweet and honey-coloured blossoms of a laburnum, whose tremulous branches seemed hardly able to bear the burden of a beauty so flamelike as theirs; and now and then the fantasticshadowsofbirdsinflightflittedacrossthelongtussore-silkcurtains that were stretched in front of the huge window, producing a kind of momentaryJapaneseeffect,andmakinghimthinkofthosepallid,jade-faced painters of Tokyo who, through the medium of an art that is necessarily immobile, seek to convey the sense of swiftness and motion. The sullen murmurofthebeesshoulderingtheirwaythroughthelongunmowngrass,or circling with monotonous insistence round the dusty gilt horns of the stragglingwoodbine,seemedtomakethestillnessmoreoppressive.Thedim roarofLondonwaslikethebourdonnoteofadistantorgan. Inthecentreoftheroom,clampedtoanuprighteasel,stoodthefull-length portrait of a young man of extraordinary personal beauty, and in front of it somelittledistanceaway,wassittingtheartisthimself,BasilHallward,whose sudden disappearance some years ago caused, at the time, such public excitementandgaverisetosomanystrangeconjectures. Asthepainterlookedatthegraciousandcomelyformhehadsoskilfully mirrored in his art, a smile of pleasure passed across his face, and seemed abouttolingerthere.Buthesuddenlystartedup,andclosinghiseyes,placed his fingers upon the lids, as though he sought to imprison within his brain somecuriousdreamfromwhichhefearedhemightawake. "Itisyourbestwork,Basil,thebestthingyouhaveeverdone,"saidLord Henrylanguidly."YoumustcertainlysenditnextyeartotheGrosvenor.The Academyistoolargeandtoovulgar.WheneverIhavegonethere,therehave beeneithersomanypeoplethatIhavenotbeenabletoseethepictures,which wasdreadful,orsomanypicturesthatIhavenotbeenabletoseethepeople whichwasworse.TheGrosvenorisreallytheonlyplace." "Idon'tthinkIshallsenditanywhere,"heanswered,tossinghisheadback inthatoddwaythatused tomake hisfriends laughat himatOxford. "No, won'tsenditanywhere." Lord Henry elevated his eyebrows and looked at him in amazemen throughthethinbluewreathsofsmokethatcurledupinsuchfancifulwhorls
from his heavy, opium-tainted cigarette. "Not send it anywhere? My dear fellow,why?Haveyouanyreason?Whatoddchapsyoupaintersare!Youdo anythingintheworldtogainareputation.Assoonasyouhaveone,youseem towant tothrow itaway. Itis sillyof you,for thereis onlyone thingin the world worse than being talked about, and that is not being talked about. A portraitlike thiswould set youfar aboveall the youngmen inEngland, and maketheoldmenquitejealous,ifoldmenareevercapableofanyemotion." "I know youwill laugh at me," he replied, "butI really can't exhibit it. haveputtoomuchofmyselfintoit." LordHenrystretchedhimselfoutonthedivanandlaughed. "Yes,Iknewyouwould;butitisquitetrue,allthesame." "Toomuchofyourselfinit!Uponmyword,Basil,Ididn'tknowyouwere sovain;andIreallycan'tseeanyresemblancebetweenyou,withyourrugged strongfaceandyourcoal-blackhair, andthis youngAdonis, wholooksasif he was made out of ivory and rose-leaves. Why, my dear Basil, he is a Narcissus, and you—well, of course you have an intellectual expression and allthat.Butbeauty,realbeauty,endswhereanintellectualexpressionbegins Intellectisinitselfamodeofexaggeration,anddestroystheharmonyofany face. The moment one sits down to think, one becomes all nose, or al forehead, or something horrid. Look at the successful men in any of the learnedprofessions.Howperfectlyhideoustheyare!Except,ofcourse,inthe Church.ButthenintheChurchtheydon'tthink.Abishopkeepsonsayinga theageofeightywhathewastoldtosaywhenhewasaboyofeighteen,and as a natural consequence he always looks absolutely delightful. You mysterious young friend, whose name you have never told me, but whose picturereallyfascinatesme,neverthinks.Ifeelquitesureofthat.Heissome brainless beautiful creature who should be always here in winter when we have no flowers to look at, and always here in summer when we wan somethingtochillourintelligence.Don'tflatteryourself,Basil:youarenotin theleastlikehim." "Youdon'tunderstandme,Harry,"answeredtheartist."OfcourseIamno likehim.Iknowthatperfectlywell.Indeed,Ishouldbesorrytolooklikehim Youshrugyourshoulders?Iamtellingyouthetruth.Thereisafatalityabout all physical and intellectual distinction, the sort of fatality that seems to dog throughhistorythefalteringstepsofkings.Itisbetternottobedifferentfrom one'sfellows.Theuglyandthestupidhavethebestofitinthisworld.They cansitattheireaseandgapeattheplay.Iftheyknownothingofvictory,they areatleastsparedtheknowledgeofdefeat.Theyliveasweallshouldlive— undisturbed, indifferent, and without disquiet. They neither bring ruin upon others,noreverreceiveitfromalienhands.Yourrankandwealth,Harry;my
brains, such as they are—my art, whatever it may be worth; Dorian Gray's good looks—we shall all suffer for what the gods have given us, suffer terribly." "Dorian Gray? Is that his name?" asked Lord Henry, walking across the studiotowardsBasilHallward. "Yes,thatishisname.Ididn'tintendtotellittoyou." "Butwhynot?" "Oh,Ican'texplain.WhenIlikepeopleimmensely,Inevertelltheirnames toanyone.Itislikesurrenderingapartofthem.Ihavegrowntolovesecrecy It seems to be the one thing that can make modern life mysterious o marvelloustous.Thecommonestthingisdelightfulifoneonlyhidesit.When Ileavetown nowInevertell mypeoplewhere Iamgoing.If Idid,I would lose all my pleasure. It is a silly habit, I dare say, but somehow it seems to bringagreatdealofromanceintoone'slife.Isupposeyouthinkmeawfully foolishaboutit?" "Notatall,"answeredLordHenry,"notatall,mydearBasil.Youseemto forgetthatIammarried,andtheonecharmofmarriageisthatitmakesalife of deception absolutely necessary for both parties. I never know where my wifeis, and mywife neverknows what Iam doing.When we meet—wedo meetoccasionally,whenwedineouttogether,orgodowntotheDuke's—we telleachotherthemostabsurdstorieswiththemostseriousfaces.Mywifeis verygoodatit—muchbetter,infact,thanIam.Shenevergetsconfusedover herdates,andIalwaysdo.Butwhenshedoesfindmeout,shemakesnorow atall.Isometimeswishshewould;butshemerelylaughsatme." "I hate the way you talk about your married life, Harry," said Basi Hallward, strolling towards the door that led into the garden. "I believe tha you arereally a very goodhusband, but thatyou are thoroughly ashamedof your own virtues. You are an extraordinary fellow. You never say a mora thing,andyouneverdoawrongthing.Yourcynicismissimplyapose." "Beingnaturalissimplyapose,andthemostirritatingposeIknow,"cried Lord Henry, laughing; and the two young men went out into the garden together and ensconced themselves on a long bamboo seat that stood in the shadeofatalllaurelbush.Thesunlightslippedoverthepolishedleaves.Inthe grass,whitedaisiesweretremulous. After a pause, Lord Henry pulled out his watch. "I am afraid I must be going, Basil," he murmured, "and before I go, I insist on your answering a questionIputtoyousometimeago." "Whatisthat?"saidthepainter,keepinghiseyesfixedontheground.
"Youknowquitewell." "Idonot,Harry." "Well,Iwilltellyouwhatitis.Iwantyoutoexplaintomewhyyouwon' exhibitDorianGray'spicture.Iwanttherealreason." "Itoldyoutherealreason." "No,youdidnot.Yousaiditwasbecausetherewastoomuchofyoursel init.Now,thatischildish." "Harry," said Basil Hallward, looking him straight in the face, "every portraitthatis paintedwithfeeling isaportrait oftheartist, notofthe sitter Thesitterismerelytheaccident,theoccasion.Itisnothewhoisrevealedby the painter; it is rather the painter who, on the coloured canvas, reveals himself.ThereasonIwillnotexhibitthispictureisthatIamafraidthatIhave showninitthesecretofmyownsoul." LordHenrylaughed."Andwhatisthat?"heasked. "Iwilltellyou,"saidHallward;butanexpressionofperplexitycameover hisface. "Iamallexpectation,Basil,"continuedhiscompanion,glancingathim. "Oh,thereisreallyverylittletotell,Harry,"answeredthepainter;"and amafraidyouwillhardlyunderstandit.Perhapsyouwillhardlybelieveit." LordHenrysmiled,andleaningdown,pluckedapink-petalleddaisyfrom thegrassand examinedit."I amquitesure Ishallunderstand it,"hereplied gazingintentlyatthelittlegolden,white-feathereddisk,"andasforbelieving things,Icanbelieveanything,providedthatitisquiteincredible." Thewindshooksomeblossomsfromthetrees,andtheheavylilac-blooms withtheirclusteringstars,movedtoandfrointhelanguidair.Agrasshopper began to chirrup by the wall, and like a blue thread a long thin dragon-fly floated past on its brown gauze wings. Lord Henry felt as if he could hea BasilHallward'sheartbeating,andwonderedwhatwascoming. "Thestoryis simplythis," saidthepainterafter sometime."Two months ago I went to a crush at Lady Brandon's. You know we poor artists have to showourselvesinsocietyfromtimetotime,justtoremindthepublicthatwe are not savages. With an evening coat and a white tie, as you told me once anybody,evenastock-broker,cangainareputationforbeingcivilized.Well after I had been in the room about ten minutes, talking to huge overdressed dowagers and tedious academicians, I suddenly became conscious that some onewaslookingatme.Iturnedhalf-wayroundandsawDorianGrayforthe first time. When our eyes met, I felt that I was growing pale. A curious
sensation of terror came over me. I knew that I had come face to face with someonewhosemerepersonalitywassofascinatingthat,ifIallowedittodo so,itwouldabsorbmywholenature,mywholesoul,myveryartitself.Idid not want any external influence in my life. You know yourself, Harry, how independentIambynature.Ihavealwaysbeenmyownmaster;hadatleas alwaysbeenso,tillImetDorianGray.Then—butIdon'tknowhowtoexplain it to you. Something seemed to tell me that I was on the verge of a terrible crisisinmylife.Ihadastrangefeelingthatfatehadinstoreformeexquisite joysandexquisitesorrows.I grewafraidandturnedto quitthe room.Itwas notconsciencethatmademedoso:itwasasortofcowardice.Itakenocredi tomyselffortryingtoescape." "Conscienceandcowardicearereallythesamethings,Basil.Consciencei thetrade-nameofthefirm.Thatisall." "I don't believe that, Harry, and I don't believe you do either. However whateverwasmymotive—andit mayhavebeenpride,forI usedtobevery proud—Icertainlystruggledtothedoor.There,ofcourse,Istumbledagainst Lady Brandon. 'You are not going to run away so soon, Mr. Hallward?' she screamedout.Youknowhercuriouslyshrillvoice?" "Yes;sheisapeacockineverythingbutbeauty,"saidLordHenry,pulling thedaisytobitswithhislongnervousfingers. "Icouldnotgetridofher.Shebroughtmeuptoroyalties,andpeoplewith starsandgarters,andelderlyladieswithgigantictiarasandparrotnoses.She spokeofmeasherdearestfriend.Ihadonlymetheroncebefore,butshetook itintoherheadtolionizeme.Ibelievesomepictureofminehadmadeagrea successatthetime,atleasthadbeenchatteredaboutinthepennynewspapers which is the nineteenth-century standard of immortality. Suddenly I found myself face to face with the young man whose personality had so strangely stirredme.Wewerequiteclose,almosttouching.Oureyesmetagain.Itwas recklessofme,butIaskedLadyBrandontointroducemetohim.Perhapsi wasnotsoreckless,afterall.Itwassimplyinevitable.Wewouldhavespoken to each other without any introduction. I am sure of that. Dorian told me so afterwards.He,too,feltthatweweredestinedtoknoweachother." "AndhowdidLadyBrandondescribethiswonderfulyoungman?"asked hiscompanion."Iknowshegoesinforgivingarapidprecisofallherguests. remember her bringing me up to a truculent and red-faced old gentleman coveredalloverwithordersandribbons,andhissingintomyear,inatragic whisperwhichmusthavebeenperfectlyaudibletoeverybodyintheroom,the mostastoundingdetails.Isimplyfled.Iliketofindoutpeopleformyself.Bu LadyBrandontreatsherguestsexactlyasanauctioneertreatshisgoods.She eitherexplainsthementirelyaway,ortellsoneeverythingaboutthemexcep
whatonewantstoknow." "PoorLadyBrandon!Youarehardonher,Harry!"saidHallwardlistlessly "Mydearfellow,shetriedtofoundasalon,andonlysucceededinopening arestaurant.HowcouldIadmireher?Buttellme,whatdidshesayaboutMr DorianGray?" "Oh, something like, 'Charming boy—poor dear mother and I absolutely inseparable.Quiteforgetwhathe does—afraidhe—doesn'tdoanything—oh yes, playsthe piano—or is itthe violin, dearMr. Gray?' Neither ofus could helplaughing,andwebecamefriendsatonce." "Laughterisnotatallabadbeginningforafriendship,anditisfarthebes endingforone,"saidtheyounglord,pluckinganotherdaisy. Hallwardshookhishead."Youdon'tunderstandwhatfriendshipis,Harry," hemurmured—"orwhatenmityis,forthatmatter.Youlikeeveryone;thatis tosay,youareindifferenttoeveryone." "How horribly unjust of you!" cried Lord Henry, tilting his hat back and looking up at the little clouds that, like ravelled skeins of glossy white silk weredriftingacrossthehollowedturquoiseofthesummersky."Yes;horribly unjustofyou.Imakeagreatdifferencebetweenpeople.Ichoosemyfriends for their good looks, my acquaintances for their good characters, and my enemiesfortheirgoodintellects.Amancannotbetoocarefulinthechoiceof his enemies. I have not got one who is a fool. They are all men of some intellectualpower,andconsequentlythey allappreciateme.Isthat veryvain ofme?Ithinkitisrathervain." "I should think it was, Harry. But according to your category I must be merelyanacquaintance." "MydearoldBasil,youaremuchmorethananacquaintance." "Andmuchlessthanafriend.Asortofbrother,Isuppose?" "Oh,brothers!Idon'tcareforbrothers.Myelderbrotherwon'tdie,andmy youngerbrothersseemnevertodoanythingelse." "Harry!"exclaimedHallward,frowning. "My dear fellow, I am not quite serious. But I can't help detesting my relations. I suppose it comes from the fact that none of us can stand othe peoplehavingthesamefaultsasourselves.Iquitesympathizewiththerageo the English democracy against what they call the vices of the upper orders The masses feel that drunkenness, stupidity, and immorality should be thei ownspecialproperty,andthatifanyoneofusmakesanassofhimself,hei poachingontheirpreserves.WhenpoorSouthwarkgotintothedivorcecourt
theirindignation wasquite magnificent.And yet Idon't supposethat tenper centoftheproletariatlivecorrectly." "I don't agree with a single word that you have said, and, what is more Harry,Ifeelsureyoudon'teither." Lord Henry stroked his pointed brown beard and tapped the toe of his patent-leatherbootwithatasselledebonycane."HowEnglishyouareBasil Thatisthe secondtimeyouhave madethatobservation. Ifoneputsforward anideatoatrueEnglishman—alwaysarashthingtodo—heneverdreamsof consideringwhethertheideaisrightorwrong.Theonlythingheconsidersof anyimportanceis whetheronebelievesit oneself.Now, thevalueof anidea hasnothingwhatsoevertodowiththesincerityofthemanwhoexpressesit Indeed, the probabilities are that the more insincere the man is, the more purely intellectualwill the idea be, as in thatcase it will not be coloured by either his wants, his des...