Title | Tim Burton |
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Course | FRAME-BY-FRAME FILM: ANIMATION AND BEYOND |
Institution | University of Surrey |
Pages | 7 |
File Size | 150.3 KB |
File Type | |
Total Downloads | 73 |
Total Views | 134 |
Presentation Notes on Tim Burton. ...
Slide 1: TRUE OR FALSE: Tim Burton was a Disney Animator. ● Tim Burton’s love for animation goes way back to his childhood where hespent alotof his time drawing. As a child, he often felt different from the other childrenandhedrew monsters to escape the conformity of the American suburb he livedin(BurbankCity)and art became his way out. Today Burton describes his needtodrawasawaytofocusandto unleash his imagination. ● Then at the age of 18 he went to the California Institute of the Arts founded by Walt Disney to study Character Animation. ● During his time at the school he created “Stalk of the Celery Monster” which was animated entirely through pencil drawings. The short film did so wellthatDisneyoffered him a 4 year apprenticeship at the Disney animation studios, which technically makes him the most popular Disney animator, even if the work that he did there did not make him famous. Now just to give you an idea of how far Tim has come, I’m going to showyou“Stalkofthe Celery Monster”. The only fragments remaining of the film today, are of a dentist named Dr. Maxwell Payne making bloody experiments with his patients. For a long time the film was consideredtobelost,untilfragmentsofit appeared on Spanishtelevisionin2006. Any thoughts on the animation? *Listen to responses* My response: For me the film shows not only how much Tim’s animation has advanced but also how little Tim has changed over the years, as the dark, monster themes and gothic style were evident from the very beginning of his career. Slide 2: Burton in Disney: ● During his time at Disney, Tim worked as an inbetweener, an assistant animator and a concept artist. ● He worked on Disney’s three films. Tron (1982), The Black Cauldron (1985). And finally a film that you all have heard of and most of you have watched, any guesses? ● Tim worked on The Fox and the Hound (1981), he actually focused on animating Vixey- which he hated because he found the animated feature really boring. The animation that Disney was asking him to do simply failed to stimulate his creativity and inspire him. He was ill-suited for the project because his skills as an artist were not in tune with the films cuteness. In a recent interview he said the following: “I remember I worked on The Fox and the Hound, and I was just terrible. I was supposed to draw the foxes and I just couldn’t do it. They looked like they’d been run over by a car,”
Slide 3: TRUE OR FALSE: Tim left his work at Disney because he didn’t like the company’s politics. ● While at Disney, Tim managed to make a deal with the studio that they would fund 3 of his personal projects. 1. Using Disney’s money he made Vincent (1982), which was a stop motion animation based on his own poem called Vincent. The actor Vincent Price was Tim’s favorite actor and he agreed to provide the voice-over for his film. The opportunity to work with his childhood hero must have been a significant inspiration for Tim which probably gave him a boost to continue his passion. 2. A Japanese themed adaptation of Hansel and Gretel (1983). 3. Frankenweenie (1984) which was about a boy who resurrects his dog from the dead. This film is a live action film, whereas his later Frankenweenie 2012 version is an animation. I would like to show you Tim’s animation short. After watching Vincent you will understand why upon completing his three films at Disney, Tim lost his job for using Disney's resources for producing films that were too dark for Disney’s standards. Tim was in fact fired. Slide 4: TRUE OR FALSE: Tim directed The Nightmare Before Christmas. TRUE OR FALSE: The production of the film had a very fast turnaround and the 76 minute film took just over 1 year to make. TRUE OR FALSE: Just under 100 puppets were made for the film. ● Soon after his career at Disney came to an end. Paul Reubens, an actor and film producer liked Tim’s Vincent and Frankenweenie so much that he let him direct his own film, namely Pee Wee’s Big Adventure which would then start Burtons feature film career. ● Some of his biggest films of the late 80s and early 90s include: 1. Beetlejuice 2. Edward Scissorhands 3. Batman films ● However, soon after Tim returned to the world of animation and produced a film that he wanted to make for a long time. That of course was “The Nightmare Before Christmas” (1993).
● The idea for the film actually started back when Tim was working in Disney. Apparently he saw a shop display of halloween decorations, that were replaced with Christmas decorations. That sparked his imagination and led to Burton writing a 3 page poem called “The Nightmare Before Christmas”. After the success of Vincent he thought about turning his poem into a children’s book or a 30 minute TV special, he even started working on some concept art. But then of course he got fired from Disney and moved on to making feature films. ● After 6 years, he returned to Disney who still had the project’s rights and luckily Disney allowed him to make the film. Many of you might think that “The Nightmare Before Christmas” was directed by Tim himself, I know I did- but the truth is that because Tim had to return to his work on Batman Returns a nd the pre-production of Ed Wood, he handed his work to his Disney friend Hernyk Slyk who directed the film. ● Tim only came in for around 10 days during the production process, raising questions whether this is a Henryk Slyk or a Tim Burton movie. ● In the end it was accepted that the film is a Tim Burton film as it was his idea, story and his characters. ● What’ really fascinating for me is the fact that the film took 3 years to make with over 120 people working on the 76 minutes long film. Over 200 puppets were made, including the main characters who had 3 or 4 puppets each, and Jack the main character himself had over 400 different changeable heads to show the different emotions. Slide 5: The film was planned to be released as part of Disney's animated feature line up and as you will see from the trailer it is presented as being part of Disney innovating new animation techniques. However in the end the film was not released as a featured Disney animation- while watching the promo think of why that might be. https://www.youtube.com/watch?v=V5W2Irb9A0g Any ideas why Disney didn’t want to release the film as part of their feature animation series? Disney said that the film was a little too scary for kids and they put it under Touchstone Pictures banner, who distribute films made by Disney that are aimed more at adults than children. The film was released in 1993 and was a huge success with a box office of over 76 million. And for the first time an animated film was nominated for the Academy Award for Best Special
Effects. It also won two Annie awards including Best Individual Achievement for Artistic Excellence in the field of Animation. ● In 2001 Disney wanted to make a sequel to the film but with Computer animation. Burton convinced them to leave the film as it is and the original film was shown in cinemas again in 2006, 2007, 2008 and 2010. Today the film is often said to be one of the best animated films of all times. Slide 6: TRUE OR FALSE: The main character of Corpse Bride had over 200 different changeable heads. ● After “The Nightmare before Christmas” Tim went back to live action feature films and produced films such as: Ed Wood Mars Attacks Sleepy Hollow Big Fish His adaption to Charlie and the chocolate factory ● He then went back to stop motion animation but this time he didn’t let anyone animate his work. His next animation success was a 17th century themed film called “Corpse Bride”. The film focuses on Victor and Victoria whose families have arranged their marriage. Although they like each other, Victor is nervous about the wedding and goes on a walk in the forest to practice his lines for the ceremony. He practises putting on a ring on tree branch that is in fact Emily’s hand. A bride who was murdered and who now wants to marry Victor. The plot evolves with Victor trying coming back to the land of the living before Victoria marries the villain Barks Bittern. ● The film took 55 weeks to make and instead of using a 35mm camera- it was the first dslr digital animation. Unlike previous stop motion animation films, where the heads had to be changed for the characters, the puppets had clockwork heads which were controlled by hidden keys which gave the movements a more realistic feel. ● Similarly to “The Nightmare before Christmas” several puppets of the main characters had to be made. Victoria, Emily and Victor all had around 13 or 14 puppets each. ● Once released the film was once again a huge success with a box office of 117 million worldwide, with the film winning even more awards. Slide 8:
● Tim once again took a break from animation, and directed and produced films such as Sweeney todd, Dark Shadows, Vampire hunter and Alice in wonderland. He then went back to animation and created the amazing Frankeeweenie. ● You may have remembered from the start of this presentation that at the start of his career, Tim actually worked on his 1984 live action short called Frankenweenie, which mainly focused on Victor and Sparky. Yet in 2005 he decide to make a remake and turn it into a feature length animated film. ● Finally 5 years later in 2010, the filming began in the same studio in London, using the same crew as the one who created Corpse Bride. Production was super busy and as many as 30 different scenes were being made at the same time. ● One of the biggest challenges was creating Sparky’s puppets as the dog puppet had to be smaller than the adult puppets, but not too small so that he could still be moved and controlled. ● Also because dogs have around 250 more joints than humans, the puppet had to be made in a way that so that he would resemble the movement of a real dog. Slide 9: ● Thinking again about Burton’s first film Vincent, you may have recognised the resemblance between Vincent and Burton himself - the quiet, shy boy with messy hair, who is only comfortable inside his own imagination. ● The film deals with themes that come up time and again in Burton’s animations. A young boy and his rejection of the environment that he lives in, that ultimately lead to grotesque fantasies and uncanny plotlines. ● After the release of Frankewnee there has been a lot of fan theories that connect all of Tim's stop motion films into one film- about a man and his dog. It all starts in Frankenweenie with Victor and Sparky, then Victor would grow older to find Sparky dead in the underworld in Corpse Bride as Scraps, and then much later Victor would take the name of Jack and be part part of the undead world in Nightmare before Christmas with his dog called Zero. That is however just a fan theory, with Tim neither confirming or disconfirming the theory. ● He has said however that if his movies are easily identifiable, it’s only in the same way everyone would naturally have a style; if he has to draw a dog, he draws a dog, and he can’t draw one any other way, so it’s inevitable that they all end up looking the similar. *ASK: I’m going to give you 2 or 3 minutes to with the Person next to you discuss whether you agree with the fan theory that the two Victor’s and Jack, maybe even Vincent are all connected, or whether like Tim said the visual similarities between the films are inevitable? SLIDE 10:
● I think it’s fair to say that Tim’s animations are gothic in style and full of uncanny moments. In The Nightmare before Christmas f or example the use of anthropomorphism is particularly strong Halloweentown is full of anthropomorphic creatures. ● Anthropomorphism is basically the attribution of human characteristics or behaviour to an animal, or objects. ● When the trick or treaters are tasked with kidnapping Sand Claws, they jump into a bathtub that grows legs and is used to carry them to their destination. Now I don’t think that the aim of anthropomorphism here is to create a horrifying experience for the viewer, but is rather used as a form of entertainment, and although the image is slightly troubling it is not terrifying. ● However, we cannot avoid the fact that Jack draws our attention to death because he only has a skull for a head and is full of bones and no flesh. Although he is referred to as the Pumpkin King of Halloweentown- he is effectively the Lord of the dead. ● But when we think of Jack Skellington we don’t think of him as a gothic villain or a monter. Even though he takes on the visual from of a skeleton, something dead, he is shown to think and act very human and throughout the film he displays feelings of loneliness that allows the audience to feel empathy for him and we slowly begin to root for him, rather than see him as a scary or horrifying monster. ● Burton is a master as what he does as he manages to encourage a positive response from us by giving the gruesome skeleton likeable characteristics. ● Burton brings in the uncanny in the form of death once again in his feature Corpse Bride not only through the underworld setting, but also through the main character Emily who is personifying death. She takes Victor to the land of the dead and everywhere Victor turns we see corpses at different stages of their decaying process. ● But once again by the end of the film, the audience emphasise with Emily who lets Victor go and marry Victoria in the land of the living. ● Just to quickly conclude on Tim's use of the uncanny is his animations. I think that the reason it works so well is that although the images and narratives are to some degree scary and uncanny, he mixes horror with romance and comedy which allows the audience to accept the uncanny and death rather than being seen something that endangers them and should therefore be suppressed. It's a funky old art from, stop-motion...basically it's artists doing it and painting sets and making things. There's something very gratifying about that, something I love and never want to forget...When it's done beautifully you feel somebody's energy. It's something that computers will never be able to replace, because they're missing that one element... There is something about stop-motion that gives it an energy that you don't get in any other form.” Tim Burton. References:
Burton, T, (1982) Vincent Burton, T (1993) The Nightmare Before Christmas Burton, T (2005) Corpse Bride Burton, T (2012) Frankenweenie Cheu, J. (2018). Converging Woods Neo-Victorianism in the Stop-Motion Films. In: K. Manning, ed., Tim Burton: Essays on the Films, 1st ed. North Carolina: McFarland & Co, pp.184-194. Lammers, T. (2013). Direct Conversations: The Animated Films of Tim Burton. 1st ed. USA: Ebookit.com. McMah, A. (2014). The Films of Tim Burton: Animating Live Action in Contemporary Hollywood. 1st ed. USA: Not Avail. McMahon, J. (2014). The philosophy of Tim Burton. 1st ed. USA: University Press of Kentucky. Priebe, KA 2006, Art of Stop-Motion Animation, Course Technology / Cengage Learning, Boston. Available from: ProQuest Ebook Central. [7 March 2018]. The-artifice.com. (2009). The Art of Tim Burton: The Artist Before The Filmmaker | The Artifice. [online] Available at: https://the-artifice.com/art-tim-burton/ [Accessed 7 Mar. 2018]. Link, K. and Link, K. (2011). Vincent (1982). [online] AwesomeBMovies.com. Available at: http://awesomebmovies.com/2011/05/vincent/ [Accessed 7 Mar. 2018]. Stopmotionworks.com. (2003). 'Bride' Stripped Bare. [online] Available at: http://www.stopmotionworks.com/articles/cbrdstrpdbare.htm [Accessed 7 Mar. 2018]. Young Post | South China Morning Post. (2016). Tim Burton on movies, quirky characters, and why he always uses Johnny Depp. [online] Available at: http://yp.scmp.com/entertainment/movies/article/104897/tim-burton-movies-quirky-characters-and-why-h e-always-uses [Accessed 7 Mar. 2018]. ...