Práctico - animal farm examples PDF

Title Práctico - animal farm examples
Author Sal Paradise
Course Narrativa británica e irlandesa
Institution Universidad de La Laguna
Pages 2
File Size 76.4 KB
File Type PDF
Total Downloads 72
Total Views 176

Summary

ANIMAL FARM EXAMPLES...


Description

ANIMAL FARM EXAMPLES Ideals of revolution: 3,4,6,7,5 16-17: commandments How the ideals of revolution have been betrayed: 20,27,28,30,35,37, 43, 44 Animals doubting: 78, 11 How bit a bit the pigs betray the ideals of revolution: 20, 23, 29, 33, Not all equal, not all friends: 34, 35, 47, 39, 46, 51, 77 Violence: 44, 57 Killing hens and commercing with men; 52 Alcohol: 74 Two legs!: 96,14, 58, 59 (The whole betrayal of the revolution is humanised here) Benjamin: 20, 35, 47, 70, 74, 89. (The oldest cynical, never laughs, scheptychal, has a very good memory, not like the rest. “I love memory, I’ve seen everything” Old major:pig. He cares about his friends DOGS: bluebell, Jessie and pincher. Raven: moses Cart horses: Boxer and Clover Coat: Muriel Donkey: Benjamin Mare: Mollie 59,60: How animals feel: 2 legs enemy, no clothes, no bed, no alcohol, no killing, all equal 11: Mollie’s questions are not stupid. She’s really asking if life is going to be good after the revolution. She realises what is happening. 17: A new elite is emerging: manipulating the truth 11: Mr Jones: the only thing he can offer is religion (glimpse of hope after a terrible life) 14: betraying 22: What I’m going to read is a lie 29: Mollie just wants to survive, she knows perfectly what she wants_ cleverer than the rest 32: Mollie disappeared “foolishly” but she seems to be the happy one. She’s not staring 26: Trying to get rid of the animals by criticising (as in Civil War) 40: Not so much because he’s persuasive but because they are afraid of dogs she’s not working for the oppressors but at least she has sugar and ribbons 41-42: IRONY

CHANGING PLACES

David Lodge gives many clues about the setting Euphoria: California Rummidge: Birmingham (Brummies: gentilicio). He plays with the sounds Realistic nobrl: no longer necessary: films Lodge doesn’t agree, keeps using realistic characters Blending public and private. STYLE: Chap 1: Metafiction talks about the narrator (omniscient) Present: immediacy Chap 3: Epistolary Chap 4: Impersonal info Chap 5: Film script CHARACTERS Philips: realistic mimetic Morris: metaphorical, has imagination, experimental METAFICTION; NATURAL WAY Morris is a teacher, it’s natural, he’s interested in books, and he criticises books with no ending Hilary has a degree teacher natural. She’s read it. Criticising epistolary....


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