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Co n t e n t s In tro d u ctio n ...........................................................................................................i BOOK 1 Pr im a l Dr a c o n ia n Go d s T iam at, H er O rig in an d M y th o lo g y ..................................................................... 3 ...

Description

Co n t e n t s

In tro d u ctio n ...........................................................................................................i

BOOK 1 Pr im a l Dr a c o n ia n Go d s T iam at, H er O rig in an d M y th o lo g y ..................................................................... 3 T h e B attle o f L ig h t an d D ark n ess...................................................................... 1 5 T h e E lev en D em o n -G o d s.................................................................................. 2 1

BOOK 2 Th e Ch il d r e n Of Tia m a t M eth o d s o f W o rk ............................................................................................... 3 9 T h e O p en in g R itu al........................................................................................... 5 1 In v o catio n o f T iam at..........................................................................................5 3 M u sm ah h u ......................................................................................................... 5 9 M u su ssu ............................................................................................................. 6 7 B asm u ................................................................................................................ 7 7 U su m g allu .......................................................................................................... 8 5 L ah am u .............................................................................................................. 9 3 U g allu .............................................................................................................. 1 0 1 U rid im m u ......................................................................................................... 1 0 9 G irtab lu llu ........................................................................................................ 1 1 7 U m u D ab ru tu ................................................................................................... 1 2 7 K u lu llu ............................................................................................................. 1 3 7 K u sarik k u ......................................................................................................... 1 4 7 K in g u ............................................................................................................... 1 5 7

Th e Gr i m o i r e o f Ti a m a t

BOOK 3 Appe n d ic e s A P P E N D IX 1 A lch em ical R eb irth in th e W aters o f T iam at............................................... 1 6 7 A P P E N D IX 2 T h e R itu al o f T iam at an d K in g u .................................................................. 171 A P P E N D IX 3 M aled ictio n o f B lo o d .................................................................................... 179 A P P E N D IX 4 T h e U n d erw o rld ........................................................................................... 187 A P P E N D IX 5 B ib lio g rap h y ............................................................................................... 195

Пресвятой Гарри Поттер и Бешенный Летний Санта Клаус представляют.

Не для использования в группе Черная Библиотека.В противном случае вас настигнет проклятие лишающее сексуальной потенции на 7 лет.

In t r o d u c t io n

n th e A eo n o f R e-A w ak en in g , fo rg o tten g o d s an d sp irits rise to re­ v eal th eir teach in g s to th o se w h o d o n o t fear to em b race th e G n o ­ sis

th at w as

sh u n n ed

an d

ab h o rred

fo r cen tu ries

an d

lab eled

as

“d em o n ic,” “d ev ilish ” o r “fo rb id d en .” T h e b ad rep u tatio n o f th e L eft H an d P ath in g

rests o n an d

its an tin o m ian

attractiv e

in

th eir

an d

tran sg ressiv e p ractices, w h ich

p ro m ise

of

tran sfo rm in g

M an

in to

are tem p t­ G o d . T h ese

p ractices are also v iew ed as fearfu l an d d an g ero u s, h o w ev er, as th ey sh atter an d reb u ild ev ery sin g le asp ect o f in d iv id u al p sy ch e, p erso n al life an d th e w h o le p ercep tio n o f th e su rro u n d in g w o rld . N o t ev ery o n e is read y fo r th is ch an g e, an d fo r m an y p o ten tial in itiates, th e P ath b eco m es a h o rrib le trau ­ ma

in stead

rev ealed

in

of a th is

b eau tifu l an d book

are

not

lib eratin g fo r

sp iritu al ad v en tu re. T h e

ev ery o n e

eith er. C asu al

teach in g s

ex p erim en tatio n

w ith th is W o rk is stro n g ly d isco u rag ed , as th ese ritu als o p en th e g atew ay s o f th e so u l th at can n ev er b e clo sed ag ain . T h e G n o sis o f T iam at, th e P ri­ m al

D rag o n

G o d d ess,

is

terrify in g ,

d em an d in g

an d

tran sfo rm ativ e

on

all

p o ssib le lev els o f ex isten ce. It w ill tak e th e p ractitio n er to th e v ery W o m b o f C h ao s w h ere th e so u l w ill b e d ev o u red , d isso lv ed , tran sfo rm ed an d reb o rn , in

o rd er to

b eco m e

th e

D rag o n

in

essen ce, th e

liv in g

in carn atio n

o f th is

p rim o rd ial C u rren t. E v en th o u g h T iam at an d th e m y th o f C reatio n , w h ich in sp ired th e W o rk o f th is g rim o ire, are d eriv ed fro m th e an cien t B ab y lo n ian lo re, th e ritu al sy s­ tem p resen ted h ere can h ard ly b e called “B ab y lo n ian m ag ic,” an d it d o es n o t claim to b e su ch . T h ere are n o arch eo lo g ical fin d in g s o r h isto rical acco u n ts th at w o u ld co n firm an y fo rm o f w o rsh ip o f th e p rim al g o d s o r d em o n ic b e­ in g s created b y th e D rag o n G o d d ess. T h e o n ly m en tio n s o f d em o n s an d ev il sp irits

are

fo u n d

in

ex o rcism s

an d

b an ish in g

— l—

fo rm u las.

T h erefo re,

ritu als

Th e Gr i m o i r e o f Ti a m a t

p resen ted

in

th is b o o k d o n o t rev iv e an y an cien t trad itio n s an d are n o t re­

co n stru ctio n w o rk

fo r

o f th e

of

th e

an y

lo st

m ag ical

ap p licatio n

d em o n -g o d s

of

sy stem s.

G n o sis

th em selv es

th at

an d

are

In stead , w as

laid

th ey

rev ealed

dow n

co n stitu te th ro u g h

h ere

a

fram e­

th e

teach in g s

sp ecifically

fo r th o se

w h o seek self-d eificatio n in th e m o d ern w o rld . T h is is a b o o k fo r o ccu lt p rac­ titio n ers o f th e p resen t cen tu ry . The

fo rem o st

B ab y lo n ian th e

m y th

in sp iratio n

ep ic of

B ab y lo n ian

know n

C reatio n

m ag ic

as

is

an d

fo r

th e

W o rk

Enuma

th e

alm o st

so lely

relig io n ,

d escrib ed

Elish.

The

fo cu sed

w h ile

T iam at

in

on

th is

research

M ard u k

an d

book

h er

w as

th e

literatu re

on

an d

h is

C h ild ren

ro le

are

in

h ard ly

m en tio n ed at all. T h e o n ly av ailab le in fo rm atio n is th e an aly sis o f th e elev ­ en

d em o n -g o d s

p h o rical d o m ain

fro m

th e

in terp retatio n s, w h ich

m ad e

lin g u istic

su ch th e

as

p ersp ectiv e

th eir

B ab y lo n ian s

an d

co n n ectio n fam o u s

to

th eir

o ccasio n al

astro lo g y ,

acro ss

th e

m eta­

w h ich

an cien t

is

th e

w o rld .

The

o rig in al m ag ical m ean in g , h o w ev er, seem s to b e lo st. In th is b o o k , th ere are n o ritu als an d w o rk in g s d ev o ted to M ard u k . I leav e th is field to h is fo llo w ­ ers

an d

d ev o tees.

T h is

is

th e

book

of

T iam at

an d

th e

p rim al

d em o n -g o d s

w h o w ere b o rn in h er B lack W aters o f C h ao s. H ere, w e w ill lo o k at each d e­ m o n -g o d

fro m

th eir

p u rp o se

of

eso teric

p ersp ectiv e

th e

th is

m o d ern

h isto rical

g rim o ire an d

is

to

p ractitio n er.

an d to

lin g u istic

p resen t

m ean in g , as

th e

C h ild ren

w ell, b u t th e

of

T iam at

ex p lo re th eir m ag ical p o w ers as th ey

The

lin g u istic

an d

astro lo g ical

m ain

fro m

th eir

m an ifest to

in terp retatio n

q u o t­

ed in th is g rim o ire is b ased o n su ch w o rk s as S tep h en L an g d o n ’s Babylonian

Epic

of

Creation, F .A .M . W ig g erm an ’s M esopotamian Protective Spirits an d L eo n ard K in g ’s Enuma Elish, The Seven Tablets of Creation. F o r o th er so u rc­

es, it is reco m m en d ed to v iew th e b ib lio g rap h y listed b y th e en d o f th is b o o k . T h e o ccu lt in terp retatio n on

m aterials

m o n -g o d s

in

co n d u cted

by

th e

g ath ered th e

b eg in n in g

co n ian

C u rren t

of

d u rin g

y ears

Lodge th e

an d my

p erso n al

2 0 0 7 -2 0 1 2 .

M ag an , last

th ro u g h

th e p ractical p art o f th is g rim o ire is b ased

th e

d ecad e p ractical

The o ccu lt in

w o rk

w ith

T iam at

W o rk

started

as

ritu al

g ro u p

th at

o rd er

to

ap p licatio n

earth of

h er

m ag ical

d e-

p ro ject

w as

fo u n d ed

ch an n el

th e

D ra­

L eft-H an d -P ath

p h i­

an d

th e

a

an d

in

lo so p h y . T h e p u rp o se o f th e p ro ject, w h ich started b y th e en d o f 2 0 0 7 , w as to

g ath er

in fo rm atio n

ab o u t

th e

n atu re

of

th e

elev en

sp irits,

th eir

m ag ical

p o w ers an d m eth o d s o f h o w th ey can b e u sed fo r self-in itiato ry w o rk in th e m ag ic o f th e tw en ty -first cen tu ry . T h e

p ro ject w as also

co n d u cted

p h ases, acco rd in g to a carefu lly ch o sen cu rricu lu m , w h ich in clu d ed a w id e —

и —

in

sev eral

In t r o d u c t i o n

sp ectru m

of

p ractices,

trav els

to

m o re

h id d en

g atew ay s

fro m

ad v an ced an d

sim p le

w o rk s

d im en sio n s

v isu al

of

m ed itatio n s,

scry in g

in v o catio n , ev o catio n ,

an d

ex p lo ratio n

of

an d

jo u rn ey s

fo rg o tten

d ream th ro u g h

w o rld s

an d

lo st tem p les. T h e teach in g s p resen ted o n th e p ag es o f th is g rim o ire are d eriv ed fro m my

p erso n al ex p erien ce, b u t th ey

w ere

also

tested

by

ritu al frien d s, p art­

n ers an d th o se w h o so u g h t k n o w led g e an d p o w er in th e G n o sis o f th e P ri­ m al

D rag o n

G o d d ess.

T h o se

relu ctan t

to

w o rk

w ith

“u n v erified

g n o sis”

w ill n o t fin d it h ere. A ll ritu als d escrib ed in th is b o o k w ere p erfo rm ed an d th eir resu lts

w ere

v erified

to

p ro v e

th eir efficacy , b o th

th ro u g h

self-in itia­

to ry w o rk an d th ro u g h m an ifestatio n o f th eir resu lts o n th e p h y sical p lan e. T h erefo re, th ey p ro v id e a so lid ritu al sy stem w h ich lay s fo u n d atio n s fo r th e fu rth er w o rk w ith

th is fo rg o tten G n o sis. It is m y p erso n al h o p e an d w ish

th at th is b o o k w ill fin d its w ay in to th e h an d s o f th o se w h o w ill n o t h esitate to em b ark o n th e jo u rn ey to th e W o m b o f D ark n ess, reach fo r th e p rim al w isd o m an d p o w er an d carry th e D rag o n s F ire as a to rch to illu m in ate th e P ath fo r o th ers.

— in —

P r im a l Dr a c o n ia n Go d s

He r

En u m a El

Tia m a t , O r ig in a n d My t h o l o g y

is h

h e sto ry o f T iam at an d h er elev en m o n sters d eriv es fro m th e B ab ­ y lo n ian C reatio n ep ic, th e Enuma Elish, n am ed after its o p en in g w o rd s, “W h en in th e h eig h t.” A lso k n o w n as The Seven Tablets of

Creation, th is ep ic is o n e o f th e cen tral w o rk s in B ab y lo n ian m y th o lo g y an d o n e o f th e o ld est C reatio n leg en d s in th e w o rld . T h e m y th ex ists in sev eral v ersio n s fro m B ab y lo n ia an d A ssy ria, th e m o st k n o w n b ein g th e o n e fo u n d in N in ev eh , in th e lib rary o f K in g A sh u rb an ip al, w h ich d ates to th e 7 th cen ­ tu ry B C E . T h e leg en d itself, h o w ev er, is far o ld er an d it is estim ated to b e d ated as far b ack as th e 1 8 th cen tu ry B C E , th e tim e o f a p ro m in en t statu s o f th e g o d , M ard u k , th e lead in g d eity o f th e B ab y lo n ian p an th eo n , w h o also o ccu p ies th e cen tral p o sitio n in th e sto ry . T h e Enuma Elish w as first reco v ered b y H en ry L ay ard in 1 8 4 9 in N in ev eh an d p u b lish ed b y G eo rg e S m ith in 1 8 7 0 s as The Chaldaean Account of Gene­

sis. It co n sists o f ab o u t 1 0 0 0 lin es o n sev en clay tab lets. T h e fifth tab let is p ar­ ticu larly d am ag ed an d its co n ten t h as n ev er b een reco v ered in fu ll. T h e m o st im p o rtan t, h o w ev er, is th e tex t o f th e fo u rth tab let, w h ich w as p u b lish ed in 1 8 8 7 b y E .A . W allis B u d g e an d tran slated b y A . S ay ce. T h e cen tral th em e o f th e m y th is th e elev atio n o f M ard u k ab o v e all o th er B ab y lo n ian g o d s an d h is creatio n o f th e w o rld an d m an k in d fro m

th e p rim o rd ial D ark n ess an d

C h ao s, w h ich h e clo sed w ith in th e fram es o f a stru ctu red o rd er. T h erefo re, th e w h o le sto ry p resen ted in th e Enuma Elish is, in fact, a p raise o f M ard u k , th e creato r o f h eav en an d earth , an d th e lo rd o f th e w o rld . — 3—

Th e Gr i m o i r e o f Ti a m a t

F ro m by

th e

acco u n t

of

F . T h u reau -D an g in

d u rin g

celeb ratio n s

p riest

of

(1 9 2 1 ), w e

of

M ard u k

A k k ad ian

th e

N ew

recited

a

ritu als

learn Y ear.

hym n

d escrib ed

th at th e On

ab o u t

ep ic

th e

th e

Rituels

in w as

seco n d

v icto ry

recited

d ay

of

of

th e

Accadiens in

th e

god

B ab y lo n

festiv al,

o v er

a

T iam at

an d h er allies. O n th e th ird d ay , artists m ad e tw o statu es fo r th e celeb ratio n s: one in

h o ld in g th eir

a

left

( basmu )

v ip er h an d s,

m o n sters

of

C reatio n .

A nd

on

b u rn t

in

o rd er

to

w ere

d ev o ted

w h ich

T iam at.

On

th e

are

th e

th e

th e

d ay , th e

p raise

o th er

b o th

fo u rth

six th

re-en act

to

an d

an im als

d ay ,

th e

th e

th e

of

th at

of

an d

p riest arm y . th e

th e

d efeated

recited

th e

ep ic

w ere

cu t

o ff

statu es

s

on

( akrabamelu)

sco rp io n

rep resen ted

th e

T iam at

gods

a

ch ief

h ead s

d efeat

of

h o ld in g

The

of an d

rem ain in g

d ay s

d ay ,

gods

elev en th

th e

retu rn ed to th eir tem p les an d th e celeb ratio n s w ere o v er. T h e ep ic h ad a sim ­ ilar

statu s

in

A ssy ria,

th o u g h

w ith

one
...