Vs - In lilla è quando la grafica è fatta di strada ampia di gruppo e buona giornata PDF

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In lilla è quando la grafica è fatta di strada ampia di gruppo e buona giornata a te...

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R O L CMO F A UOFSEUM CAPIT M U E S U M ICE C THE MUSEUM OF ICE CREAM AND COLOR FACTORY FALL BROADLY OF “INSTAGRAM MUSEUMS”—BEST KNOWN FOR THEIR PHOTOGENIC S LAMPOONED FOR THE VAPIDITY OF THE RESULTANT SOCIAL POSTS

MISSION

STATEMENT

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of Ice Cream transforms concepts and dreams into spaces that provoke imagination and creativity. MOIC is designed to be a culturally inclusive environment and community, inspiring human connection and through the universal power of ice cream. Museum of Ice Cream is a Figure8 brand.” — museumoficecream.com/about

MISSION

STATEMENT

“The mission of the Museum of Capitalism is to educate this generation and future generations about the ideology, history, and legacy of capitalism. “The Museum strives to broaden public understanding of capitalism through multifaceted programs: exhibitions; research and publication; collecting and preserving material evidence, art, and artifacts related to capitalism; commemorations, reenactments, and other events; distribution of education materials and teacher resources; and a variety of public programming designed to enhance understanding of capitalism and related issues, including those of contemporary significance.”

UP UP room, you just feel really good. RR: I brought my daughter who was at that point maybe 11 months old. It was like a drug for her.

Minimum Wage Machine by Blake Fall-Conroy (2008–2010, updated 2012, and 2016)

— museumofcapitalism.org/about

talks about educating this generation and future generations about the ideology and history and legacy of capitalism. Andrea and I (Timothy) are the cofounders and main curators. It’s a framework for

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LOCATIONS

LOCATIONS San Francisco NYC

1 Grant Ave 558 Broadway

Oakland Boston NYC NYC

(ended; 2017) (ended; 2018) (ended; 2019) (ended; 2020)

SO YOU ARE A MUSEUM, BUT ARE YOU A POP-UP MUSEUM? HOW WOULD YOU DESCRIBE YOURSELF VS. THE MUSEUM OF ICE CREAM?

The term “pop-up” has acquired certain connotations that we, we don’t think that fit very well for what our museum does. But by some basic definition, our museum could be considered a pop-up in the sense that we don’t have a permanent physical location. The long-term project for us doesn’t necessarily rely on us having a physical space. We’re trying to really focus more on the conceptual framework of the project.

“OUR LONG-TERM PROJECT DOESN’T NECESSARILY RELY ON HAVING A PHYSICAL SPACE.”

“EVERYTHING’S PINK; EVERYTHING JUST POPS OUT INSTANTLY.”

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Regarding the Museum of Ice Cream, we would leave that to the writer Ben Davis, who coined the term Big Fun Art in describing exactly that kind of thing. Ben Davis actually has this line in the article where he says the Museum of Ice Cream is like drinking a milkshake: If your only plan to feed your nephew is to give him milkshakes, you’re in trouble. We’re thinking about how to fight against the sort of systems that we’re all part of, many of which are exploitative and ecologically unsound and precarious. And I think the Museum of Capitalism is

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“FOR EVERYO A WHOLE, WID OF PEO WHO IS THE MUSEUM OF ICE CRE INTENDED FOR? BM: You don’t really go to a bar to drink; you go to a bar to socialize and to hang out, for the vibe. Ice cream was basically our drink but for kids, and parents, and grandparents, and couples. For everyone—a whole, wide gamut of people who can enjoy ice cream. So that’s kind of what gets people into the space.

“THE MUSEUM IS INTENDED FOR EVERYONE.” IS THE MUSEUM OF CAPITALISM ENDED FOR? IS THERE ANYONE IT’S OT INTENDED FOR?

The museum is intended for everyone who has direct experience of capitalism, or memory of it. We feel everyone has something to contribute to the story of capitalism, and everyone bears some responsibility for preventing its resurgence. Most of our programming so far has focused on relatively local or specific context. So, for example, when we’re in New York, Oakland, or Boston, we try to think about the ways in which capitalism specifically manifests in these communities and put that on display. I don’t really think there’s anybody who’s outside of scope. One has to imagine what would be in a museum of capitalism. And that’s an important moment I think for us. CAN YOU TALK ABOUT THE DISTINCTION BETWEEN OBJECTS THAT DOCUMENT CAPITALISM AND OTHERS THAT ARE AN ARTISTIC/ABSURDIST INTERPRETATION OF IT (E.G., ARCHIVED LANDLORD LETTERS VS. MINIMUM WAGE MACHINE)?

BM: I don’t blame employees being a little bit disgruntled, because it’s hard to smile that much and to think about what’s going to make people super happy when they come to visit. When you do this every day, it’s a little bit depressing because you start to ask like, well, “What even IS happiness? How can we deconstruct that and rebuild it?” BM: It’s easy to not be taken seriously if you’re

I think it’s interesting because to me Blake FallConroy’s Minimum Wage Machine is a really good example of a piece that is very much not funny to a lot of people. The time that it actually takes to make the pennies come out of the Minimum Wage Machine, particularly for someone who is experiencing that in their life and trying to, like, survive in an American city. Um. It’s really not funny. I mean, yes, there is irony in this, but I think it’s really important to point out that the Museum

TO POINT OUT THAT, THE MUSEUM OF CAPITALISM IS NOT A JOKE.”

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DO YOU HAVE ANY PLANS FOR A BALL PIT, OR WHAT WOULD YOUR BALL PIT EQUIVALENT ENTAIL?

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NNA N DRIVERLESS AIR CARS!”

I have questions about this for a minute! I want to know where the balls were manufactured. I want to know who made them. I want to know where the runoff from the factory goes. I want to know who ... touches the boxes and pallets of balls as they’re moved and transported over the world. Was the fun of the ball pit deployed as part of a larger fun corporate team offsite? Who’s profiting from the admissions that were paid by the people who visited the ball pit? How does that revenue compare with the hourly wages of attendance and cleaners and security people who are keeping the ball pit up and running? And where do all the balls end up after the the ball pit closes down—and also ball pits are still gross. So that’s my answer.

“I WANT TO KNOW WHO MADE THEM. I WANT TO KNOW WHERE THE RUNOFF FROM THE FACTORY GOES.” WHAT WOULD YOU ULTIMATELY WANT PEOPLE TO FEEL WHEN EXITING THE PHYSICAL MANIFESTATION OF THE MUSEUM OF CAPITALISM?

They accept that they exit the Museum of Capitalism and they enter the real museum of capitalism.

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